Hardware

Explore recording, monitoring, and studio hardware. Compare published products, specifications, and community reviews before choosing equipment for your setup.

• Vulture BKS Hetfield

  ESP Vulture BKS Hetfield, Electric Guitar, James Hetfield Signature Model, Mahogany body, Mahogany neck, Set-in neck attachment, Thin U neck profile, Ebony fretboard, Neck radius: 305 mm, Nut width: 42 mm, Scale: 628 mm, 22 XJ Frets, Active EMG JH humbucker pickups, 1 Volume control, 1 Tone control, 1 Toggle switch, Black hardware, Gotoh locking machine heads, TonePros locking Tune-O-Matic bridge and tailpiece, Finish: Black Satin, Includes an original ESP case, Made in Japan

• VX Kraken MKII Compact Head

  Victory Amplifiers VX Kraken MKII Compact Head, Tube Head for Electric Guitar, Channels: 3, Power: 50 watts, Pre-Amp Tubes: 4 x 12AX7, Power amp tubes: 2 x 6L6, 2 Gain channels: British-inspired rhythm sounds and tight, aggressive American high-gain sounds, Additional footswitchable clean mode for gain 1, New in the MKII version: Presence control and shift, two assignable master volumes, bias outputs and a Gain 1 balance control for the volume balance between the Gain 1 and Clean modes, low power 9 watts mode, Controls: clean/gain I, gain II, bass, middle, treble, master I, master II, presence, gain I balance, Switches: clean/gain I/gain II, presence shift, bass focus, master volume auto assign, Speaker outputs: 16 Ohm, 8 Ohm/2 x 16 Ohm (3 x 6.3 mm jack), Effect loop: Serial, Input: 6.3 mm jack, FX send and return: 2x 6.3 mm jack, Dimensions (W x D x H): 390 x 220 x 190 mm, Weight: 9.7 kg, Handmade in UK

• VX Kraken MKII Lunch Box Head

  Victory Amplifiers VX Kraken MKII Lunchbox, Tube Head for Electric Guitar, 2 Gain channels: British-inspired rhythm sounds and tight, aggressive American high-gain sounds , Additional footswitchable clean mode for gain 1. , New in the MKII version are: Presence control and shift, 2 assignable master volumes, bias outputs and a gain 1 balance control for volume balance between gain 1 & clean modes, low power 9 watt mode , 3 Channels, Power: 50 Watt, Preamp tubes: 4x 12AX7, Power amp tubes: 2x 6L6, Controls: Clean/Gain I, Gain II, Bass, Middle, Treble, Master I, Master II, Presence, Gain I Balance, Switches: Clean/Gain I/Gain II, Presence Shift, Bass Focus, Master Volume Auto Assign, Speaker outputs: 16 Ohm, 8 Ohm / 2 x 16 Ohm (3 x 6.3 mm jack), FX loop: Serial, Dimensions (W x D x H): 390 x 220 x 190 mm, Weight: 7.2 kg, Includes gig bag, Handmade in UK@+*Connections*, Line input: 6.3 mm jack, FX Send & Return: 2x 6.3 mm jack

• VX V847A Wah

  Vox VX V847A Wah, Wah Wah Pedal, Incl. vinyl bag with Vox logo, Optional power supply: Article Nr #134888#

• VX5

  Headrush VX5, Vocal Processing Pedal, Pitch correction in real time with Antares AutoTune, Retune Speed and Humanize controls allow for everything from subtle pitch correction to a pronounced Auto-Tune effect, Harmoniser mode automatically generates harmonies for the voice in the selected key or to match the connected instrument (e.g. guitar or keyboard), Internal effects: Reverb, delay, chorus, compressor and more, Memory locations for 250 presets, Built-in 24-bit/48 kHz USB audio interface, OLED colour display, Two footswitches for navigation, A/B mode and Talk mode, Microphone preamplifier (XLR) with switchable +48V phantom power, Line output (XLR) with switchable Ground Life, USB-B port for USB MIDI and audio, Stereo headphone output: 3.5 mm jack, Input and thru output for instruments: 6.3 mm jack, Power supply input (DC 9V / 1.0A), Dimensions (W x D x H): 168 x 152 x 70 mm, Weight: 1.14 kg

• VX50KB

  Vox VX50KB, Keyboard amplifier, Power: 50 W, Equipped with 8" speaker with tweeter, 3 channels with separate volume controls, Valve: Nutube 6P1, 3-band EQ in the master section for flexible sound shaping, Channel 3 can function either as a line or mic input, and is equipped with a phase switch, AUX input, Line output, 3 line inputs, Headphone output, Dimensions: 354 x 208 x 313 mm, Weight: 4.1 kg, Incl. power supply (DC 19 V)

• W 2.2x4 Blue

  PPG W 2.2x4 Blue, Eurorack Module, Dual wavetable oscillator with independent outputs and switchable LFO mode, Sub-oscillator per wavetable oscillator, Chromatic pitch quantiser, Precise digital tuning over 8 octaves, Includes all original licensed PPG Wave 2.2 wavetables with 8 banks and 64 waves each, Additional ‘Legacy Wavetable Crackle Mode’: Waves change immediately as soon as a wavetable is selected, producing typical artefacts, Ideal for fast wavetable modulations and glitch sounds, Analogue VCAs for main, sub and waveshaper, each with its own CV control, Flexible waveshaper with drive and a wide tonal range from subtle warmth to extreme distortion, Advanced menu functions, Compatible with Liquid Sky D-vices GLITHc ExpendeR for bit hacking, non-destructive circuit bending, micro sequencers, multiple and extended MIDI (available separately, not included), Memory slots: 10 programmes, each with complete settings, Power requirement: 160 mA (+12 V) / 35 mA (-12 V), Width: 40 HP, Depth: 60 mm, Colour: Blue

• W 2.2x4 Limited Edition Black

  PPG W 2.2x4 Limited Edition Black, Eurorack Module, Dual wavetable oscillator with independent outputs and switchable LFO mode, Sub-oscillator per wavetable oscillator, Chromatic pitch quantiser, Precise digital tuning over 8 octaves, Includes all original licensed PPG Wave 2.2 wavetables with 8 banks and 64 waves each, Additional ‘Legacy Wavetable Crackle Mode’: Waves change immediately as soon as a wavetable is selected, producing typical artefacts, Ideal for fast wavetable modulations and glitch sounds, Analogue VCAs for main, sub and waveshaper, each with its own CV control, Flexible waveshaper with drive and a wide tonal range from subtle warmth to extreme distortion, Advanced menu functions, Compatible with Liquid Sky D-vices GLITHc ExpendeR for bit hacking, non-destructive circuit bending, micro sequencers, multiple and extended MIDI (available separately, not included), Memory slots: 10 programmes, each with complete settings, Power requirement: 160 mA (+12 V) / 35 mA (-12 V), Width: 40 HP, Depth: 60 mm, Colour: Black

• W-1.4 Piccolo Wood Block G6

  Ron Vaughn W-1.4 Piccolo Wood Block, Piccolo Wood Block, From North American cherry, Dimensions: 4.45 x 5.08 x 12 cm

• W-1.5 Piccolo Wood Block F6

  Ron Vaughn W-1.5 Piccolo Wood Block, Piccolo Wood Block, From North American cherry, Dimensions: 5.08 x 5.08 x 15.24 cm

• W-2.5 Wood Block D6

  Ron Vaughn W-2.5 Wood Block, North American Walnut 2 3/8" x 2 3/8" x 7", note D6

• W-3.5 Wood Block C6

  Ron Vaughn W-3.5 Wood Block, North American Hard Maple, 2 3/4" x 2 3/4" x 9", note C6

• W2377 MK2

  Roger Schult W2377 MK2, EQ, 500 Module, Full parametric filter with three switchable frequency ranges, Covers the entire sound range from 20 to 23300 kHz, Transmission range: 20 Hz - 40 kHz (+0.1 / -0.2 dB), Control range of potentiometers: +/- 10 dB, 11-Step quality control (with LP and HP settings), Hard-Bypass, Max. Input level: +23 dBu, Max. Output level: +26 dBu, Power supply: +/- 16V via api system, + max. 120 mA / -16V max. 60mA, Dimensions (H x D): 115 x 172 mm, Weight: 0.55 kg, Type: 500 module

• W2393 TiltBaxxEQ

  Roger Schult W2393 TiltBaxxEQ, Filter Module, For API 500 format, Ti-EQ determines the sound spectrum around a preselected centre frequency a Niveau Filter and a Baxandall tone control determines the distribution of the low and high frequencies., Ti-EQ / Niveau Filter Frequency switchable 500 Hz / 700 Hz / 1100 Hz, Low Band EQ switchable 80 Hz / Bypass / 110 Hz, High Band EQ switchable 2 kHz / bypass / 5 kHz, Gain adjustable +/- 5 dB, Tilt angle control

• W2395c

  Roger Schult W2395c, Vintage 3-band EQ, In the 500 series API format, Two active Baxandall tone controls for the bass and treble band as a flat-band controller +/- 12 dB, A half-parametric mid-band filter, Switchable frequency range for high band 2k / off / 5k, Switchable frequency range for bass band 80 Hz / off / 110 Hz, Mid band filters from 155 Hz to 3500 Hz continuously adjustable, gain max +/- 10 dB, Three-stage toggle switch for controlling the quality of the center band 1.5 / 0.7 / 0.4, Construction: API 500 series

• WA-14

  Warm Audio WA-14, Large-diaphragm condenser microphone, With variable attenuation and three directional characteristics, With Warm Audio "Lens Capacitor" LK-12-B-60V, Capsule in vintage CK12 style, Transformer: Custom CineMag USA, Frequency range: 20 - 20000 Hz, Variable attenuation: 0 db, -10 dB, -20 dB, Directional characteristics: cardioid, figure eight and omni, Impedance: 150 ohms, Connection: 3-pin XLR, Requires +48 V phantom power, Colour: Black (painted), Including spider and holder

• WA-14SP

  Warm Audio WA-14G, Large Diaphragm Condenser Microphone, Polar pattern: cardioid, omnidirectional and figure-of-eight, Custom CineMag USA transformer, In-house developed capsule CK-12 with double diaphragm and 34 mm diameter made of solid brass, Pad: -10dB & -20dB, Frequency response: 20 - 20,000 Hz, Impedance: 150 Ohm@+*Included in delivery:*, 2 Shockmounts, 2 Microphone clamps, 2 PU leather zip pouches, 1 Transport case, 1 Stereo mounting rail

• WA-19B

  Warm Audio WA-19B, Dynamic Small Diaphragm Microphone, Polar pattern: Cardioid, Frequency range: 30 - 18,000 Hz, Bass cut at 50 Hz variably adjustable from 0 to -10 dB, Sensitivity -53 dB +/-3 dB at 1 kHz (0 dB = 1 V/Pa), Max. sound pressure level: 145 dB SPL, Impedance: 200 Ohm, Dimensions: 152 x 35 x 35 mm, Weight: 0.2 kg, Colour: Black

• WA-19N

  Warm Audio WA-19N, Dynamic Small Diaphragm Microphone, Polar pattern: Cardioid, Frequency range: 30 - 18,000 Hz, Bass cut at 50 Hz variably adjustable from 0 to -10 dB, Sensitivity -53 dB (± 3 dB) at 1 kHz, 0 dB = 1 V / Pa, Max. sound pressure level: 145 dB SPL, Impedance: 200 Ohm, Dimensions: 152 x 35 x 35 mm, Weight: 0.2 kg, Colour: Nickel

• WA-1B

  Warm Audio WA-1B, 1-Channel Tube Opto-Compressor, With output transformers, True to the original 270 V, 100 % discrete analogue signal path - hand-wired, Tubes: 12ax7 Tung-Sol and JJ 12au7, Frequency range @ -3 dB: 5 - 25,000 Hz, Inherent-noise: < -75 dBU @ 30 dB gain, Ratio adjustable from 2:1 to 10:1, Variable threshold from off (+20 dBU) to -40 dBU, Continuously adjustable attack and release time, 3 Different attack/release modes: fixed, manual and fix/man, Output gain: adjustable from off to +30 dBU, Balanced XLR and jack inputs and outputs, Input impedance: 600 Ohm, Two bus connectors for connecting multiple sidechains, Meter (VU) for input, output or compression, Dimensions: 483 x 184 x 89 mm, Weight: 3.9 kg

• WA-251

  Warm Audio WA-251, Large Diaphragm Tube Condensor Microphone, Switchable polar pattern: Cardioid, omnidirectional and figure-eight, Dynamic range: 125 dB A, Peak SPL: 132 dB (<0.5% THD), Frequency range: 20 - 20,000 Hz, Output impedance: 200 Ohm, Signal / noise ratio: 80 dB (A), Inherent noise: 12 dB A (IEC651), CineMag USA output transformer, External IEC-grounded power supply, Includes: Microphone, power adapter, spider, cable (microphone to power adapter), Dimensions (Ø x H): 247 x 46 mm

• WA-2A

  Warm Audio WA-2A, 1-Channel tube opto-compressor / limiter, 100% discrete signal path, CineMag input transformer, CineMag output transformer, 4 Premium TungSol and Electro-Harmonix tubes: 2x 12AX7, 1x 12BH7, 1x 6AQ5 (or the 6P1 - can be interchanged), Kenetek opto attenuator, Integrated power adapter, Stereo-link capability, Balanced XLR and jack inputs - 600 ohm impedance, Balanced XLR and jack outputs - 600 ohm impedance, Frequency response: +/- 1 dB, 15 - 20,000 Hz, Gain: 40 dB +/-1 dB, Input level: +16 dB maximum, Output level: +10 dB nominal, +16 dB maximum, Distortion: less than 0.1% THD at +/-10 dBm, Attack time: 10 milliseconds, Release time: 0.06 seconds for 50% release, 0.5 up to 5 seconds for complete release, Meter for gain reduction and output, Dimensions 483 x 178 x 89 mm, Weight: 5.44 kg

• WA-2MPX

  Warm Audio WA-2MPX, 2-Channel Microphone and Instrument Preamp, Fully discrete, hand-built design with 3 tubes per channel, Tape saturation adds harmonic distortion and compression, 90 dB gain, CineMag USA transformers, High quality (2x) 12AX7 and (1x) 12AU7 vacuum tubes per channel, High Gain control activates the third tube in the circuit for an additional 20 dB (from 70 dB to 90 dB), 48 V phantom power and polarity switch, "Tone" circuit changes the impedance of the input transformer, 80 Hz high-pass filter, 2 kHz low-pass filter, Inputs: 2 x XLR microphone input, 2 x TS jack instrument input and 2 x TRS jack line input, Outputs: 2 x XLR / TRS line level, VU meter level meter, Frequency response: 20 Hz - 20 kHz, Dimensions (W x D x H): 483 x 179 x 89 mm, Weight: 3.7 kg

• WA-412

  Warm Audio WA-412, 4-Channel Microphone and Instrument Amplifier, 100% discrete, transformer-balanced circuit, Altran USA Custom wrapped premium input and output transformers, X520 operational amplifiers in each channel (exchangeable if required, as plugged on base), 65 dB gain, Transmitter-balanced XLR and active instrument inputs, Transformer-balanced XLR and jack outputs, TONE switch changes the impedance of the microphone and instrument preamp from 600 to 150 ohms, -20 dB pad (affects microphone and instrument preamps), +48 V phantom power, LED metering, Output-Trim control for precise volume control and saturation effects, Internal power supply, Format: 19 "/ 1U