Hardware

Explore recording, monitoring, and studio hardware. Compare published products, specifications, and community reviews before choosing equipment for your setup.

• U7-4 BK

  Marcus Miller U7-4 BK, Electric Bass, Body: Alder, Bolt-on neck: Maple, Fingerboard: Rosewood, Fingerboard inlays: Blocks, Edgeless fingerboard (rounded edges), Nut: Bone, Neck profile: C, Nut width: 38 mm (1.5"), Fingerboard radius: 241 mm (9.5"), Scale: 864 mm (34"), 22 Medium jumbo stainless steel frets, Pickups: Marcus Super Modern-PJ (bridge) and Marcus Super Modern-PJ (neck) single coils, Controls: Volume, treble, bass, Marcus Heritage-2 Preamp, 2-Band EQ, Marcus Miller Vintage-S Bridge, Chrome hardware, Premium open machine heads, Colour: Black Satin

• U7-4 SGM

  Marcus Miller U7-4 SGM, Electric Bass, Body: Alder, Bolt-on neck: Maple, Fingerboard: Maple, Block fingerboard inlays, Neck profile: C, Edgeless fingerboard (rounded edges), Fingerboard radius: 241 mm (9.5"), Scale: 864 mm (34"), Nut width: 38 mm (1.5"), Bone nut, 22 medium frets, Pickup: 2 Marcus Super Modern-PJ (bridge and neck) single coils, Controls: Volume, treble, bass, Electronics: Marcus Heritage-2 Preamp, 2-Band EQ, Marcus Miller Vintage-S Bridge, Open-gear premium machine heads, Chrome hardware, Colour: Surf Green Metallic

• U851RWb

  Audio-Technica U851RW, Condenser Boundary Microphone, Semi cardioid, Frequency response: 30 - 20,000 Hz, 138 dB SPL max., Switchable low cut: 150 Hz, 6dB/Octave, UniGuard technology for shielding against RF interference such as mobile phones, Phantom power 9-52V, Detachable 7.6 m cable with TAF3 connector on the microphone side and screw terminals on the mains adapter, Colour: White@+*Note:* Especially for lecterns

• U853R

  Audio-Technica U853R, Condenser Hanging Microphone, Characteristic: cardioid, Frequency range: 30 - 20,000 Hz, Switchable low-cut, 80 Hz 18 dB/octave, Max. SPL: 133 dB, Phantom power, Colour: Black, Incl. 7.6 m cable with TAF3 connector on the power supply, AT8531 adapter, AT8451 steel holder, AT8438 microphone table base adapter mount and windscreen

• U853RW

  Audio-Technica U853RW, Condenser Hanging Microphone, Characteristic: cardioid, Frequency range: 30 - 20,000 Hz, Switchable low-cut, 80 Hz 18 dB/octave, Max. SPL: 133 dB, Phantom power, Colour: White, Incl. 7.6 m cable with TAF3 connector on the power supply, AT8531 mains adapter, AT8451 steel holder, AT8438 microphone table base adapter mount and windscreen

• U857Q

  Audio-Technica U857Q, Condenser gooseneck microphone, With XLR connector, Polar pattern: Cardioid, Frequency range: 30-20,000 Hz, Sound pressure: 139 dB SPL max., Switchable low cut 80 Hz, 18dB/octave, Gooseneck length: 36.5 cm, UniGuard technology for shielding against RF interference (such as mobile phones), Incl. Wind shield and shock mount

• U857QL

  Audio-Technica U857QL, Condenser gooseneck microphone, With XLR connector, Polar pattern: Cardioid, Frequency range: 30-20,000 Hz, Sound pressure: 139 dB SPL max., Switchable low cut 80 Hz, 18dB/octave, Gooseneck length: 48.1 cm, UniGuard technology for shielding from RF interference (such as mobile phones), Incl. Wind shield and shock mount

• U857QLU

  Audio-Technica U857QLU, Condenser gooseneck microphone, With XLR connector, Developed for quality sound reinforcement-, professional production- and broadcast applications, Excellent off-axis rejection for maximum gain before feedback, Polar pattern: UniLine cardioid 90°, Interchangeable elements to permit angle of acceptance from 90° to 360°, Frequency range: 30-20,000 Hz, Sound pressure: 139 dB SPL max., Switchable low cut 80 Hz, 18dB/octave, Gooseneck length: 60.6 cm, UniGuard technology for shielding against RF interference (such as mobile phones), Incl. Wind shield and shock mount

• U857QU

  Audio-Technica U857QU, Condenser Gooseneck Microphone, With XLR connector, Designed for high quality PA, professional production and broadcasting applications, Polar pattern UniLine cardioid 90 °, Excellent off-axis reflection for maximum feedback resistance, Frequency response: 30-20,000 Hz, Sound pressure: 139 dB SPL max., Switchable low-cut 80 Hz, 18dB / octave, Gooseneck length: 48.7 cm, UniGuard technology for shielding RF interference such as mobile phone, Incl. windscreen and shockmount

• U87 Ai

  Neumann U87 Ai, Condenser Studio Microphone, Pressure gradient transducer, Polar patterns: Cardioid, omni and figure-8, Switchable 10 dB attenuation, Nominal impedance: 200 Ohm, Frequency range: 20 - 20,000 Hz, Sensitivity at 1 kHz into 1 kOhm: 20/28/22 mV/Pa ± 1 dB (omni/cardioid/figure-8), Max. sound pressure level for k < 0.5%: 117 dB (cardioid), Max. SPL (sound pressure level) for k < 0.5% with pre-attenuation: 127 dB, 48 V phantom power required, Dimensions (Ø x L): 56 x 200 mm, Weight: 500 g, Colour: Nickel, Suitable shock mount: Art. #125520# (not included), Suitable stand adapter: Art. #218556# (not included)

• U87 AI MT

  Neumann U87 AI MT, Studio Microphone@+The U 87 Ai switchable microphone is the successor model to the U 87 i, probably the best known and most widely used microphone in the fet 80 series. The changes affect the increased output voltage and the reduced equivalent noise level. Both measures contribute to a remarkable improvement in recording quality. The microphone is used as the main microphone in studios for orchestral recordings and as a spot microphone for individual instruments. The U 87 Ai and its many features are used for broadcasting big bands and for recording instrumental and vocal soloists, as well as for such difficult tasks as producing a radio play.@+Three switches on the capsule head can be used to set the three directional characteristics omnidirectional, cardioid and bi-directional, a low-frequency roll-off and a 10 dB pre-attenuation., Colour: Black, Polar pattern: omnidirectional, cardioid and figure-8, Switchable 10 dB attenuation, Acoustical operating principle: pressure gradient transducer, Frequency range: 20 - 20000 Hz, Field operating transmission factor: 22/28/20 mV/Pa, Nominal impedance: 200 Ohm, Equivalent noise level DIN 45 405 dB 26/23/25, Signal-to-noise ratio referred to 1 Pa CCIR 68/71/69dB, Max. SPL (sound pressure level) for 0.5% harmonic distortion 117 dB (with preattenuation 127dB), Dynamic range of the microphone amplifier: 115 dB, Power consumption: 0.8 mA, Weight: 500 g, Diameter: 56 mm, length: 200 mm, Universally applicable: vocals, speakers, overhead, wind instruments, Note: no tripod mount or elastic suspension included (optional accessories available under Art. #189268# and #218556#)

• U89 I

  Neumann U89 I, Large diaphragm studio microphone, Universally applicable studio microphone, Pressure gradient receivers can be used for vocals, speakers, overhead and wind instruments, Switchable polar pattern: omnidirectional, wide cardioid, cardioid, hypercardioid, figure eight, Switchable 10 dB attenuation, Two-stage bass roll-off, Frequency range: 20 - 20,000 Hz, Nominal impedance: 150 ohms, Nominal load impedance: 1000 ohms, Max. sound pressure level for K <0.5% with pre-attenuation: 140 dB, Requires + 48V phantom power, Dimensions (length x diameter): 185 x 46 mm, Weight: 400 g

• U89 I mt

  Neumann U89 I mt, Large Diaphragm Studio Microphone@+The U 89 is a studio microphone for universal applications. The headgrille protects a dual-diaphragm capsule. A rotary switch below the headgrille selects from five different polar patterns. Therefore the microphone can be adapted easily to large-surfaced or wide sound sources, or to sound sources to be recorded at a greater distance. @+@+@+The maximum sound pressure level of 134 dB can be increased to 140 dB with a rotary switch. Another rotary switch is provided for lowering the transmission distance below the selectable frequencies 80 Hz or 160 Hz. @+@+@+In addition to the usual directional polar patterns: omnidirectional, cardioid, and figure-8, we have added a hypercardioid and wide-angle cardioid characteristic. When compared to the standard cardioid pattern, the hypercardioid characteristic suppresses sound from the side more efficiently. The wide-angle polar pattern is especially useful when recording large sound sources. @+@+, Polar pattern: Switchable between omnidirectional, cardioid, figure-8, Switchable 10 db attenuation, Universally applicable: Vocals, speakers, overheads, wind instruments, Transmission range 20 Hz ... 20 kHz, Field transfer factor at 1 kHz at 1 kOhm 8 mV / Pa, Nominal impedance: 150 Ohm, Nominal load impedance: 1000 Ohm, Replacement noise level (CCIR 468-3): 28 dB, Spare noise level (DIN / IEC 651): 17 dB-A, Noise level difference (CCIR 468-3): 66 dB, Noise level difference (DIN / IEC 651): 77 dB, Boundary sound pressure level for K <0.5%: 134 dB, Boundary sound pressure level for K <0.5% with pre-attenuation: 140 dB, Maximum output voltage: 800 mV, Dynamic range of the amplifier (DIN / IEC 651): 117 dB, Supply voltage: 48 V ± 4 V, Current consumption: 0.8 mA, Weight: 400 g, Diameter: 46 mm / Length: 185 mm, Colour: Matte black

• UA 221

  Shure UA 221, UHF Antenna Switch Set, For 2 SLX4 / BLXR diversity receivers, Passive, HF cable set and BNC mounting socket included, Suitable for the following receivers: BLX4R, QLXD4, UC4, SLX4, ULXS4, ULXP4, ULXD4, ULXD4D, ULXD4Q, U4S, U4D, UR4S and UR4D

• UA221DB-RSMA

  Shure UA221DB-RSMA, Passive Antenna Splitter, With RSMA connector for 2 GLXD4R+ receivers, Incl. 2x UA221DB-RSMA splitter, 4x coaxial cable and mounting components

• UA844+SWB-E

  Shure UA844+SWB-E, Broadband UHF Antenna Distribution System@+The Shure UA844 is a UHF antenna splitter that allows wireless microphone systems to be expanded by splitting the antenna signal between multiple receivers. In addition, the RF signal is amplified so that losses are compensated for by splitting the signal over several outputs. A single UA844 system supports up to four wireless receivers. Several UA844 systems can be connected in series up to the maximum number of compatible frequencies.@+@+, Active antenna splitter for up to 5 ULXD / QLXD / ULX / SLX / UC receivers, Holes for optionally repositioning the antennas are provided in the 19" housing@+*Connections on the back:*@+@+, 8x BNC In, 2x BNC Out, 2x BNC for cascading (for a fifth receiver or further splitter), 1x DC In, 4x DC Out@+*Included:*@+@+, External power supply, 4 DC cables to supply the ULX, SLX, BLX4R, SLX4 and QLXD4 series receivers, 10 BNC cables for connecting up to 5 diversity receivers, Antenna converter

• UA844+SWB-LCE

  Shure UA844+SWB-LCE, Active Antenna Splitter, For up to 5 UR4, ULXD4, QLXD4, U4D or UC, ULX, SLX, SLX-D and BLX4R receivers, HF frequency range: 470 - 952 MHz, Holes for optional relocation of the antennas are provided in the 19" housing@+*Connections:*@+@+, 8x BNC Out, 2x BNC In, 2x BNC for cascading (for fifth receiver or further splitter), 1x DC In, 4x DC Out@+*Includes:*@+@+, 1 External power supply unit, 4 Non-concealable low-voltage cables (for BLX4R and SLX4), 2 BNC cables for antenna mounting

• UAC-232

  Zoom UAC-232, 32 Bit USB 2.0 Audio Interface, 32-bit Float Dual AD converter with maximum 192kHz sample rate, 2 Microphone and line inputs: XLR/TRS combo jack, Input 1 switchable for instruments, +48 V phantom power switchable, Zoom F-Series microphone preamps, Mix control software (Win, Mac, iOS) with loopback function and special routing modes for music and streaming, Switchable latency-free monitoring, Stereo headphone output with separate volume control: 6.3 mm jack, Stereo line outputs: 2x 6.3 mm jack, balanced, MIDI In / Out (5-pin DIN), USB-C port for audio, MIDI and power supply, Separate USB-C port for power supply for mobile recording, Dimensions (W x D x H): 164 x 105.5 x 65 mm, Weight: 355 g, Incl. quick start guide, cable tie and USB-C cable

• UAD-2 Satellite TB3 Octo

  Universal Audio UAD-2 Satellite TB3 Octo, Thunderbolt DSP system, With 8 SHARC processors to calculate UAD plug-ins without loading the CPU of the host computer, 2 Thunderbolt 3 connectors, Combination with other UAD-2 devices possible, Includes Analog Classics Plus bundle, Suitable bag: Art.#478690# (not included) @+*Note:* Thunderbolt cable not included

• UAD-2 Satellite USB Octo

  Universal Audio UAD-2 Satellite USB Octo, External USB 3.0 DSP System, DSP: 8x SHARC, Up to 4 UAD-2 Satellite in one system, Can be combined with UAD-1 and UAD-2 PCI/PCIe cards, Supported sample rates: 44.1 - 192 kHz, Includes Analog Classics Plus Bundle

• UAFX 1176 Studio Compressor

  Universal Audio UAFX 1176 Studio Compressor, Effect Pedal for Electric Guitar, Compressor Pedal, Authentic emulation of UA 1176 compression, Single, dual and sustain compression modes, True / buffered bypass, Vintage-style controls: Input, output, attack, release and ratio ("All Buttons In" mode), Parallel compression mode, Input and output: 6.3 mm jack, USB type-C for updates via computer, Power consumption: min. 250 mA, Power supply via 9 V DC power supply unit, Centre negative (not included). Suitable power supply unit: art. #543322#, Weight: 299 g, Dimensions (W x H x D): 6.55 x 5.81 x 12.07 cm

• UAFX ANTI 1992 High Gain Amp

  Universal Audio UAFX ANTI 1992 High Gain Amp, Effect Pedal for Electric Guitar, Stereo amplifier and speaker emulation, With 6 well-known microphone/speaker combinations, Integrated boosts, live and preset modes, Customisations via UAFX Mobile App, Authentic sound of the 120 W tube amp of the 90s for aggressive and "scooped" guitar sounds of metal subgenres such as thrash, death metal, grunge and black metal, Noise gate, TS-style overdrive and preamp boost, Power supply via mains adapter 9 V DC, centre-negative, 400 mA minimum (Art.#543322#, not included in scope of delivery), 2 Inputs: 6.3 mm jack, 2 Line outputs: 6.3 mm jack (right output for stereo connections and 4-cable method), USB Type-C connection for updates via computer, Dimensions (W x D x H): 9.2 x 14.1 x 6.5 cm, Weight: 0.567 kg

• UAFX Del-Verb Ambience Compan.

  Universal Audio UAFX Del-Verb Ambience Compan., Effect Pedal for Electric Guitar, Reverb and delay, 6 Vintage reverb and delay effects, "Golden Unit" spring reverb tank (from a classic American guitar amp of the 60s), Vintage studio record reverb from The Plant as well as 80s vintage studio digital reverb algorithms, Tap tempo, Custom voicings via download, Separate stereo instances for each reverb and delay, Buffered bypass, Analogue dry through, Optional spillover/trails, Stereo / dual mono operation, Controls for delay time, feedback, mix, colour, MOD and reverb, Inputs: 2x 6.3 mm jack, Outputs: 2x 6.3 mm jack, USB Type-C for updates via computer, Power supply via 9 V DC mains adapter with min. 400 mA, centre-negative (not included), Dimensions (W x H x D): 9.2 x 6.5 x 14.1 cm, Weight: 567 g

• UAFX Dream '65

  Universal Audio UAFX Dream '65, Stereo Amp and Cabinet Emulation Pedal, With spring reverb and vibrato, multiple speakers, cabinets and boosts, live and preset modes, and customisation options with the UAFX mobile app, Microphone and speaker combinations from the OX Amp Top Box, 12-Inch combo speaker models: GB25 (vintage Celestion Greenback), Oxford (original Oxford 12K5-6), EV12 (Electro-Voice EVM12L), Free additional cabinet models via UAFX Control App: Two-Rock 2x12 Extension Cab with Celestion G12-65s, Vintage 1966 4x10 Fender Super Reverb Cab with original CTS speakers, Vintage 1968 2x12 Fender Twin Reverb Cab with original JBL D-120F speakers, Power supply via 9 V DC power supply with min. 400 mA, centre-negative (not included in delivery, suitable power supply: art. #543322#), 2 Inputs: 6.3 mm jack, 2 Outputs: 6.3 mm jack, USB-C connection, Dimensions: 9.2 x 6.5 x 14.1 cm, Weight: 567 g