Explore recording, monitoring, and studio hardware. Compare published products, specifications, and community reviews before choosing equipment for your setup.
Shure TL45T/O-LEMO TwinPlex Lav, Lavalier Microphone, Omnidirectional, Neutral sound, Frequency response: 20 - 20000 Hz, Low sensitivity: -45.0 dBV (5.62 mV), Peak SPL: 142 dB, Cable diameter: 1.1 mm, Cable length: 1.67 m, Lemo connector, Water-repellent capsule coating, Unique double membrane capsule design, Ideal for professional theatre applications, Cable can be painted over, Colour: Beige
Shure TL46T/O-MTQG TwinPlex Lav, Lavalier Microphone, Omnidirectional, Neutral sound, Frequency response: 20 - 20000 Hz, Low sensitivity: -37.0 dBV (14.1 mV), Peak SPL: 134 dB, Cable diameter: 1.6 mm, Cable length: 1.67 m, TA4F connector, Water-repellent capsule coating, Unique double membrane capsule design, Perfect for dialogue and lower sound level applications, Cable can be painted over, Colour: Beige
Baton Rouge TLA/D Alder, Acoustic Guitar, Type: Dreadnought, Woods by rECOtimber, Top: solid German spruce, Back and sides: Alder, Neck: Maple, Fingerboard & bridge: Eucalyptus, Scale: 630 mm, Nut width: 46 mm, Maple binding, 20 Frets, Nut and saddle: Bone, Enclosed gold die-cast machine heads, Factory strings: Elixir, Finish: Matte, open pore, Colour: Natural
Aguilar TLC DLX, Effect Pedal for Electric Bass, Versatile compressor pedal for bass, Controls for attack, ratio, release and threshold, Independent controls for compression and EQ, Ultralow noise floor, Blend control, bass and treble boost, Robust metal housing, Status LED, Gain level LEDs, 6.3 mm mono jack input/output, Power supply: 9V 500mA power supply unit (not included), Dimensions (W x H x D): 145 x 60 x 86 mm, Weight: 220 g, Made in USA
Neumann TLM 102, Large diaphragm condenser microphone, Pressure gradient transducer, Directional characteristic: Cardioid, Frequency range: 20 Hz - 20 kHz, Peak SPL: 144 dB, Nominal impedance: 50 Ohm, Rated load impedance: 1 kOhm, Equivalent noise level, A-weighted: 12 dBA, Maximum output voltage: 13 dBu, Sensitivity at 1 kHz into 1 kohm 11 mV/Pa, 48 V ± 4 V Phantom power required, Diameter 52 mm, Length 116 mm, Weight approx. 210 g, Colour: Nickel
Neumann TLM 102 BK, Large diaphragm condenser microphone, Pressure gradient transducer, Directional characteristic: Cardioid, Frequency range: 20 Hz - 20 kHz, Peak SPL: 144 dB, Rated impedance: 50 Ohm, Rated load impedance: 1 kOhm, Equivalent noise level, A-weighted: 12 dBA, Maximum output voltage: 13 dBu, Sensitivity at 1 kHz into 1 kohm 11 mV/Pa, Phantom power 48 V ± 4 V, Weight approx. 210 g, Diameter 52 mm, Length 116 mm, Colour: Black, Including high quality cardboard packaging and stand mount SG 2
Neumann TLM 103, Large diaphragm microphone, Capsule design based on the legendary U 87, Cardioid pick-up pattern, Frequency response: 20 - 20,000 Hz, Field transfer factor at 1 kHz at 1 kOhm: 23 mV/Pa, Nominal impedance: 50 Ohm, Supply voltage (P48, IEC 61938): 48 V, Weight: 450 g, Colour: Nickel, Includes SG1 swivel joint and wooden case
Neumann TLM 103 mt, Large-diaphragm microphone, Capsule design based on the legendary U 87, Polar pattern: Cardioid, Frequency response: 20 - 20.000 Hz, Open circuit voltage at 1 kHz at 1 kOhm: 23 mV/Pa, Nominal impedance: 50 Ohm, Supply voltage (P48, IEC 61938): 48 V, Weight: 450 g, Colour: Matt Black, Incl. SG1 swivel joint and wooden case
Neumann TLM 107, Switchable Large Diaphragm Microphone, With 5 polar patterns: omnidirectional, wide cardioid, cardioid, supercardioid, Figure 8 characteristic, Bass reduction: 40 Hz or 100 Hz switchable, Level reduction: -6 dB or -12 dB switchable, Navigation switch with LED display for directional characteristic, Low-cut and pre-attenuation, Max sound pressure level: 141 dB (153 dB at -12 dB pad), Replacement noise level, A-rated: 10 dB-A, Diameter: 64 mm, Length: 145 mm, Weight: 445 g, Colour: Nickel matte, Incl. SG2 swivel joint and wooden case
Neumann TLM 107 bk, Switchable Large Diaphragm Microphone, With 5 polar patterns: omnidirectional, wide cardioid, cardioid, supercardioid, Figure 8 characteristic, Bass reduction: 40 Hz or 100 Hz switchable, Level reduction: -6 dB or -12 dB switchable, Navigation switch with LED display for directional characteristic, Low-cut and pre-attenuation, Max sound pressure level: 141 dB (153 dB at -12 dB pad), Replacement noise level, A-rated: 10 dB-A, Diameter: 64 mm, Length: 145 mm, Weight: 445 g, Colour: Black, Incl. SG2 swivel joint and wooden case
Neumann TLM 193 Studio Microphone, Large Diaphragm Microphone, Polar Pattern: Cardioid, Pressure gradient receiver with double membrane capsule, Extremely low noise: 10 db A, Frequency range: 20 Hz - 20 kHz, Maximum sound pressure level: 140 dB SPL, Sensitivity: 18 mV/Pa, Equivalent noise level: 84 dB (A), Transformerless circuit, Requires +48V phantom power, Dimensions (L x Ø): 175 x 49 mm, Weight: approx. 480 g, Incl. Swivel mount and wooden case
Neumann TLM 49 is a microphone.
Neumann TLM170 R, Studio Microphone@+The TLM 170 R was the first microphone with the now so successful fet-100 technology. It offers balanced, transformerless signal decoupling and highest controllability with extremely low inherent-noise.@+@+Five directional characteristics can be selected with a rotary switch. In the sixth switch, position "R", the directional characteristics can be remotely switched using the N 248 network device without the need for a special cable.@+@+The microphone also has a switchable 10 dB pre-attenuation for very high sound levels and a footfall filter with an operating frequency of 100 Hz.@+@+*Area of Application*@+@+The condenser microphone TLM 170 R is a switchable large-diaphragm microphone that is characterised by its transmission characteristics and various switching options. It is used in a wide variety of applications in broadcasting, film and television and also in the semi-professional field.@+@+The directional characteristics can be switched both directly on the microphone, as well as by remote control via a dedicated network device.@+@+*Acoustic Properties*@+@+The double diaphragm capsule in the wire mesh basket of the microphone has particularly even frequency responses for all adjustable directional characteristics. This applies not only, as in many cases, to the sound coming from the front, but also to sound coming laterally within an angular range of more than ±100°.@+@+Therefore, the diffuse field frequency responses up to 10 kHz run parallel to the 0° curves. In practice, this concerns the sound components arriving indirectly via reflections in the recording room to the microphone.@+@+As a result, reverberations around the microphone that is to be recorded is not changed in its tonal character. Since no resonance effects are used to achieve the said microphone characteristics, the impulse response of the microphone is excellent. It is thus able to transmit all balancing processes in music and speech without distortion. The capsule is elastically mounted to protect against structure-borne sound transmission.@+@+*Directional Characteristics*@+@+In addition to the sphere, cardioid and figure-of-eight directional patterns, the hypercardioid and wide cardioid characteristics are also available. The hypercardioid enables - better than the cardioid - hiding sound sources placed to the right and left of the object to be recorded, while the wide cardioid is best used for transmitting widespread sound sources.@+@+*Remote Control*@+@+The remote control of the directional characteristics with the help of the network device N 248 is carried out by varying the phantom voltage in the range 48 V ± 3 V (the corresponding standard allows a range of ± 4 V).@+@+In the switch position "R" (= Remote control), the TLM 170 R microphone evaluates the absolute level of the phantom voltage and adjusts itself to the corresponding directional characteristic. As with conventional operation, the normal 3-pin microphone cable is used, cable lengths up to 300 m are permitted.@+@+*Electrical Properties*@+@+The letters TLM stand for "transformerless microphone". The otherwise commonly used output transformer is replaced in the TLM 170 R by an electronic circuit, which - as a transformer - ensures good damping of unbalance. Therefore, interfering signals that act on the balanced modulation line, as usual suppressed.@+@+*Tripod Operation*@+@+The TLM 170 R has a side-mounted swivel bracket for mounting on a tripod, which effectively protects the microphone against low-frequency, mechanical vibrations by means of integrated rubber elements. It can be removed as needed or mounted on the other side of the microphone.@+@+To use the IC 4 cable (e.g. to hang the microphone from the ceiling in conjunction with the tilting device MNV 87), the swivel bracket with its support must be removed from the microphone. Then. a thread for screwing the cable in place is freed at the connector of the microphone.@+@+*Filter and Pre-attenuation*@+@+In order to prevent overloading of the downstream amplifier input, a pre-attenuation of 10 dB can be switched on at the rear.@+@+Another switch allows the reduction of the frequency response below 100 Hz for hiding low-frequency interference.@+@+*Operational Safety*@+@+The surface of the capsule including the membranes is at ground potential and is therefore insensitive to electrical and atmospheric influences as well as to dirt.@+, 5 Directional characteristics: Sphere, cardioid, figure-of-eight, hypercardioid and wide kidney, Remotely switchable with N 48 R-2, Colour: Nickel
Neumann TLM170 R mt, Studio Microphone, K 89 Dual diaphragm capsule, 5 Polar patterns: Omni-directional, cardiod, bi-directional, hyper-cardiod, and sub-cardioid, Remotely switchable with optional N 48 R-2 (not included in delivery), Dynamic range: 130 dB, Max. SPL: 154 dB, Signal-to-noise ratio: 80 dB, Sensitivity: 8 mV/Pa, Pad switch, Colour: Black
Neumann TLM67, Large diaphragm microphone, With K67 capsule, Switchable directional characteristics: Omni / Cardioid / Figure-8, Switchable 10 dB pre-attenuation, High pass filter, Frequency response: 20 Hz - 20 kHz, Requires 48V phantom power, Pearl-grey surface, Comes in a wooden case@+Optional shock mount #125520# (not included)@+@+
Audix TM-1, Test, Measurement and Recording Microphone, Pre-polarised 6mm condenser capsule, Omnidirectional, Transmission: 20 Hz - 25 kHz (+/- 2 dB), Max. SPL 140 dB, For 18-52 V phantom power, Output impedance: 200 Ohm, Dynamic range: 112 dB, Suitable for real time analyser, measurements, tests, room analysis software programs, ambient/room recording, Housing made of precision machined nickel-plated brass housing, Gold-plated XLR plug connector, Length approx. 150 mm, Incl. microphone clamp and carrying bag P-1
Audix TM-1 Plus, Test, Measurement and Recording Microphone, Pre-polarised 6mm condenser capsule, Omnidirectional, Transmission 20 Hz - 25 kHz (+/- 2 dB), Max SPL 140 dB, For 18-52 V phantom power, Output impedance 200 Ohm, Dynamic range 112 dB, Suitable for real time analyser, measurements, tests, room analysis software programs, ambient/room recording, Housing made of precision machined nickel-plated brass housing, Gold-plated XLR plug connector, Length approx. 150 mm, Elastic suspension (SMT-19), 1/2" Adapter for calibrator (TM1-CA) and individual sensitivity/calibration data file on USB stick, Optional screw-on windshield (WS-TM1)
Roland TM-1 Trigger Module, Trigger Module, Perfect for hybrid drumming, 30 Built-in sounds, 30 User samples, 15 Kits, 2 Integrated footswitches for triggering sounds, changing kits and muting, Settings for each trigger input: Sensibility, pitch, decay, level, 2 Trigger inputs: 6.3 mm mono jack, 1 Output: 6.3 mm stereo jack, 1 Headphone output: 6.3 mm stereo jack, Convenient editing and sample import using the TM-1 editor app (available for Windows, Android, Mac OSX and iOS), Importable samples depending on the operating system: WAV, AIFF, MP3, AAC, Apple Lossless, for a maximum of 6 seconds, MIDI via USB, Compatible with most Roland drum pads and all drum triggers, Can be operated via USB, Power supply via optional power adapter (article no. #102842# - not included) or the 9 V alkaline block battery (6LR61; included), Dimensions: (W x D x H) 150 x 95 x 60 mm, Weight: 550 g, USB cable included
Tascam TM-10 LB, Lavalier Condenser Microphone, For recorders of the DR-10 series, Compatible with DR-10L, DR-10CS, DR-05, DR-07MKII, DR-22WL, DR-100MKIII, DR-60D, DR-70D, DR-701D, DR-05X, DR-07X, Polar pattern: Omnidirectional, Frequency range: 50 Hz - 18 kHz, Sensitivity: -42 dB (0 dB = 1 V/Pa at 1 kHz), Power supply for miniature microphones (1.5 - 10 V), Screwable 3.5 mm mini jack plug, Cable length: 160 cm, Incl. windscreen, Dimensions (diameter x L): 6.5 mm × 22 mm, Weight: 24 g, Colour: Black
Roland TM-2 Trigger Module, Trigger Module, Compact trigger module for acoustic drummers who want to expand their drums with electronic sounds, Over 100 internal sounds, SDHC card slot for playing your own samples, loops and even songs (WAV data) directly from the SDHC memory card, 2 Trigger inputs for connecting 2 dual or up to 4 trigger pads, MIDI in/out, Effects such as reverb, flanger and delay, Operation via batteries or the power adapter included, Includes mounting plate for mounting on hi-hat or drum rack
Roland TM-6 Pro Drum Trigger Module, Trigger Module, For acoustic drummers who want to extend the sound possibilities of their drums with electronic sounds, 500 one-shot sounds, 268 V-Drum sounds, 80 Drum kits, SDHC card slot for importing your own samples, 6x 6.3 mm stereo jack trigger inputs, With an optional splitter cable, a max. of 12 triggers can be connected (splitter cable not included), Channel 6 can also be expanded with a hi-hat controller, 4 x 6.3 mm stereo jack direct outputs, 2 x 6.3 mm mono jack main outputs, 1 x 6.3 mm stereo jack headphone output, MIDI Out, USB to computer, Volume control for headphones, master, song, and click, 3 Rotary controls for volume, pitch, decay, etc., Independent EQ, compressor, and multi-effect for each trigger, Master compressor, Master EQ
Tascam TM-70, Dynamic XLR Microphone, Ideal for broadcasting, podcasting and audio streaming applications, Frequency response and polar pattern optimised for podcast production, live reporting and news reports, Directional characteristic: Supercardioid, Frequency range: 30 - 20,000 Hz, Connection: 3-pin XLR, No battery or other power supply required, Robust construction, Dimensions (L x D): 154 × 47 mm, Weight: 285 g, Includes elastic suspension, table stand and XLR connection cable
Behringer TM300 Tube Amp Modeler, Tube Amp Modeler effect pedal, Amp Modeling with 3 Amp Models, 3 gain modes and 3 microplacements for a total of 27 configurations, Controller for level-low-high-drive, Switch for Mic-Mod and Amp, Battery operation or power supply connection 9V / DC (not included)
Superlux TM58, Dynamic Vocal Microphone, Polar pattern: Cardioid, Frequency range: 50 Hz - 18,000 Hz, Impedance: 500 ohm, Maximum sound pressure level: 155 dB, Connector: XLR 3-pin male, Length: 163 mm, Diameter: 51 mm, Weight: 320 g, Colour: Black, Includes microphone clamp and threaded adapter (5/8" to 3/8")