SM137-LC
Shure SM137-LC is a microphone.
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Shure SM137-LC is a microphone.
Shure SM31 FH, Condenser Headset Microphone, Ideal for fitness instructors and personal trainers, Made with water resistant materials, Directional characteristic: Cardioid, Frequency range: 45 - 20,000 Hz, -50 dBV/Pa, 145 dB SPL max., 4-pin Shure TA4F TQG plug, Weight: 60 g, Colour: Black, orange
Shure SM35, Headset Condenser Microphone, For vocal and speech applications, Suitable for loud stages, Polar pattern: Cardioid, Frequency range: 45 - 20,000 Hz, Output Level: -59 dBV/ Pa, Max. SPL: 153 dB, Weight: 72 g, Detachable XLR RPM400TQG phantom power adapter, Colour: Black, Incl. foam windscreen
Shure SM35 TQG, Condenser Headset Microphone, For speaking and singing applications, Suitable for loud stage environments, Characteristic: Cardioid, Frequency range: 45 - 20,000 Hz, Output Level: -59 dBV/Pa, 153 dB SPL max., Weight: 72 g, 4-Pin Shure TQG, Colour: Black, Incl. Foam windscreen
Shure SM39-LM3, Headset Condenser Microphone, Suitable for noisy environments due to over 20 dB off-axis attenuation, Polar pattern: Cardioid, Frequency range: 70 - 20.000 Hz, Sensitivity: -40.3 dBV/Pa, Max. sound pressure level: 134.1 dB SPL, Signal-to-noise ratio: 71.9 dB, Dynamic range: 112 dB, Ergonomic design and adjustable, flexible headband ensure high wearing comfort, Hdyrophobic coating, Connection: LEMO, Cable length: 150 cm, Weight: 54 g, Colour: Black, Includes outdoor windscreen, indoor windscreen and collar clip
Shure SM39-TQG, Headset Condenser Microphone, Suitable for noisy environments due to over 20 dB off-axis attenuation, Polar pattern: Cardioid, Frequency range: 70 - 20,000 Hz, Sensitivity: -47.2 dBV / Pa, Max. sound pressure level: 144.2 dB SPL, Signal-to-noise ratio: 70.9 dB, Dynamic range: 121.1 dB, Ergonomic design and adjustable, flexible headband ensure high wearing comfort, Hdyrophobic coating, Connector: TQG, Cable length: 150 cm, weight: 55 g, Colour: Black, Includes outdoor windscreen, indoor windscreen and collar clip
Shure SM4, Home Recording Condenser Microphone, 1" Double diaphragm capsule, Poalr pattern: Cardioid, Frequency range: 20 Hz - 20,000 kHz, Sensitivity: - 38 dbV/Pa, Max. SPL (sound pressure level): 145 dB, Nominal impedance: 150 Ohm, "Interference Shielding Technology" to block unwanted HF interference, Internal pop filter, Connection: 3-Pin XLR, Weight: 463 g, Colour: Black, Includes stand mount, thread adapter 3/8" to 5/8" and leather bag
Shure SM4 Kit, Large Diaphragm Condenser Microphone, 1" Double diaphragm capsule, Polar pattern: Cardioid, Frequency range: 20 Hz - 20,000 kHz, Sensitivity: - 38 dbV/Pa, Max. SPL (sound pressure level): 145 dB, Nominal impedance: 150 Ohm, "Interference Shielding Technology" to block unwanted HF interference, Internal pop filter, 3-Pin XLR connection, Weight: 463 g, Colour: Black, Includes shockmount and magnetic pop filter
Shure SM57 LC, Dynamic Instrument Microphone, Polar pattern: Cardioid, Contoured frequency response for clear instrumental and rich vocal recordings, Recording of drums, percussion and instrument amplifiers in professional quality, Uniform cardioid pickup pattern isolates the main sound source while reducing background noise, Pneumatic shock-mount system cuts down handling noise, Extremely durable under the heaviest use, Frequency range: 40 - 15,000 Hz, Output impedance: 310 ohms, Open circuit voltage: -54.5 dBV/Pa (1.88 mV), Dimensions (L x Ø): 157 x 32 mm, Weight: 284 g, Includes microphone clamp, 3/8" threaded adapter and bag, Suitable windscreen: Art.#264694#, replacement microphone grille: Art.#149561# (both not included)
Shure SM58 LC, Dynamic Cardioid Vocal Microphone, Optimised frequency response with present mid-range and bass reduction, Integrated, effective wind and pop filter, Shock absorber system, Robust design, sturdy steel grille, Polar pattern: Cardioid, Frequency range: 50 - 15,000 Hz, Output impedance: 300 ohm, Open circuit voltage: -56 dBV/Pa (1.85 mV), Dimensions: 23 x 162 x 51 mm, Weight: 298 g, Includes microphone bag, microphone clamp and 3/8" threaded adapter, Suitable windshield: Art. #135783#, suitable replacement grille: Art. #183069# (both not included)
Shure SM58S, Dynamic Vocal Microphone with Switch, S-version with switch, Optimised frequency response with present mid-range and bass reduction, Integrated, effective wind and pop filter, Shock absorber system, Robust design, sturdy steel grille, Polar pattern: Cardioid, Frequency range: 50 - 15,000 Hz, Output impedance: 300 Ohm, Open circuit voltage: -56 dBV/Pa (1.85 mV), Dimensions: 23 x 162 x 51 mm, Weight: 298 g, Includes microphone clamp, 3/8" threaded adapter and bag, Suitable windshield: Art.##135783#, replacement grille: Art.#183069# (both not included)
Shure SM81 Condenser Small Diaphragm Microphone, Condenser Studio Microphone@+, Cardioid polar pattern for maximum isolation of the signal source and reduced background noise, High-quality, permanently polarised condenser microphone, Linear frequency response for precise sound reproduction, Low inherent noise and high clipping protection, Distortion-free recordings even at high sound pressure, Low sensitivity to interference at high-frequencies, 3-Step switchable high-pass filter: Linear, 6 or 18 dB / octave reduction, Switchable 10 dB attenuation, Phantom power in accordance with DIN 45 596 with voltage from 12 to 48 V, Robust steel version, Can be used even under extreme temperature and humidity conditions, Frequency range: 20 – 20,000 Hz, Output impedance: 85 ohms, No-load sensitivity: -45 dBV/Pa (5.62 mV), Total Harmonic Distortion (131 dB SPL at 250 Hz, 800 Ohm load): < 0.5 %, Maximum sound pressure (at 1 kHz, 800 Ohm load): 136 dB SPL, Windshield and microphone clamp included
Friedman Small 112 Black Cabinet, Speaker Cabinet for Electric Guitar, Ideal for vintage and modern sounds with a warm mid-range, powerful upper mids and fine, refined highs, Not only suitable for use in the studio, but also as a perfect addition to any stereo or wet/dry/wet rig, Equipped with: 1x12” Celestion G12M-65 Creamback speaker, Construction: Bass reflex, Power rating: 65 Watts, Impedance: 16 Ohm, Connectors: 1 x 6.3 mm Jack, Housing material: Baltic birch, Front cover: Black fabric, Dimensions (W x H x D): 483 x 425 x 305 mm, Weight: 11.8 kg, Colour: Black, Made in USA
Friedman Small Box, Hand-Wired All Tube Amp Head, Power: 50 W, 2 Channels, Power amp tubes: 2x EL-34, Tube preamp: 3x 12AX7, 2 Master volume controls and 2 gain controls, EQ: Bass, Middle, Treble & Presence, Clean Channel: 3-Way bright switch, Line Out with level control, Ultra Transparent Series FX Loop, 4, 8 & 16 Ohm impedance switch, Custom USA transformers, Dimensions (D x W x H): 222,36 x 609,6 x 254 mm, Weight: 15.2 kg, 1-Way foot switch with LED included, Made in the USA
Friedman Small Box Overdrive, Effects Pedal for Electric Guitar, Overdrive, Friedman small box amp sound in compact pedal form, Controls: Bass, treble, pres, vol, mid, gain, Switch: Gain structure, LED: Effect on, Foot switch: Effect bypass / sauce, Input: 6.3 mm jack, Output: 6.3 mm jack, Power supply connector: DC socket, 5.5 x 2.1 mm (negative polarity inside), Powered via 9-18 V DC power supply (not included), Suitable power supply: Article Nr. #409939# (not included), True bypass, Dimensions (W x D x H): 64 x 121 x 64 mm, Weight: 454 g, Made in the USA@+*Note:* Battery operation is not supported.@+@+
Electro Harmonix Small Clone, Effect Pedal for Electric Guitar@+The classic chorus effect from Electro Harmonix has experienced a real renaissance in the 90s, after Kurt Cobain used it with his legendary band Nirvana. Adjustable in rate and depth, the Small Clone provides the warm, analogue vintage chorus sounds you won't find in many digital effects., Analogue chorus, The legendary Kurt Cobain sound, True bypass, Rate and depth adjustable, Dimensions (W x D x H): 86 x 133 x 70 mm, Power supply with a 9 V battery or 9 V DC power supply (coaxial connection - centre negative - not included, Art. no. #409939#)
Electro Harmonix Small Stone, Legendary Phaser@+The Electro Harmonix Small Stone was one of the first phasers available in the 70's and can be heard on countless recordings. As the competitors of that time, it comes with a control (rate, the speed of the effect) and the intensity can be modified with a switch - the sound is just right for most applications, and the 3D is not so exaggerated as one might think at first glance. Compared to this, most digital attempts stink!, Classic phaser sound, True bypass, Rate control, Switch to modify the intensity, Dimensions (W x D x H): 65 x 110 x 57 mm, Power supply with a 9 V battery or a 9 V DC power supply (coaxial connection - negative pin inside - not included, e.g. Article Nr: #409939#)
Way Huge Smalls Aqua-Puss, Effect Pedal for Electric Guitar, Delay with analogue operation, Warm vintage delay with band-based echo sounds, New pedalboard-friendly metal case, True bypass, Slider for delay, feedback and blend, Bypass footswitch, Status LED, 6.3 mm mono jack input and output, Power supply via 9 V battery or optional 9 V DC power adapter (Dunlop ECB003) 2.1 mm x 5.5 mm barrel connector, polarity (-) inside (not included), Current consumption: 16 mA, Dimensions (L x W x H): 104 x 61 x 53 mm, Weight: 350 g@+*Note: * Register your product at www.w-distribution.de/Warranty to extend the warranty to 4 years.@+@+
MXR Smart Gate M-135, Guitar Ground Effect@+The ones who work with lots of distorsions and high gain pre-amplifiers, knows the worry of the background noises rising naturally at an adequately gain, sustain and overtones. The sounds are full with unwanted noise.@+@+The MXR SmartGate manages to offer comfortable and effectively "remedy". Three levels of noise reduction are available: Hiss, Mid and Full; so that the problems can be taken in a grip. The MXR typical stable housing has become the norm for all effect device manufacturers a long time ago.@+@+, Intelligent Noise Gate, Very stable housing, Metal footswitches, Controller for Trigger Level, Hiss, Mid and Full modes, 1 Input, 1 Output, Gate LED, Status LED
Midiplus Smart PAD II, USB MIDI Controller, For Ableton Live (not included), 64 illuminated multi-colour pads with RGB light modes: Solid, Flash, Pulse, Eight rotary controls with automatic mapping for controlling plugins, Eight buttons for scene control, Eight controller enable buttons, Four main function keys, Four navigation buttons, Mixer control of channel level, panorama, mute, solo, etc., Power supply via USB, For Windows XP, Vista, 7, 8, 10, MacOS x, Dimensions (W x D x H): 262 × 270 × 40 mm, Weight: 0.95 kg
SPL SMC 2489, Monitor Controller for Surround Sound and Stereo Productions, Input impedances, Symmetrical via Sub-D: 50 kΩ, Asymmetrical via RCA: 10 kΩ, Output impedance symmetrical via stereo jack: THD + N @ 0 dB input level: 0.01 %, Noise A-weighted: +98 dBu, Dynamic range: 120 dB, Frequency transmission bandwidth: 10 - 100,000 Hz, Dimensions (H x W x D): 91 x 272 x 220 mm, Weight: 1.80 kg
Tube-Tech SMC2B, Stereo multiband master compressor, Three Compressor bands per channel, Variable X-over networks between the bands, Adjustable Ratio, Threshold, Attack, Release and Output per band, Separate side chain per band (but channels 1 and 2 are joint), The SMC 2A can also be used as a 3-band equalizer
Mahalo Smiley Ukulele Light Blue, Ukulele, 12 Frets, Scale: 346 mm, Smiley looks with two sound holes as eyes, Colour: Light blue, Incl. gig bag
Mahalo Smiley Ukulele, Ukulele, Body: Basswood, Fretboard: Maple, Neck: Nato, 12 Frets, Scale: 346 mm, Smiley look with two soundholes as eyes, Colour: Yellow, Incl. gig bag