Hardware

Explore recording, monitoring, and studio hardware. Compare published products, specifications, and community reviews before choosing equipment for your setup.

  • OR 60 Orange

    Orange OR 60 Orange, Tube Amp Head for Electric Guitar, Power: 60 W, One Channel, Class A all-tube, Tubes: 2 x 6L6, FX loop with tubes, Switch for full power and half power mode – 470 V or 335 V, Foot-switchable volume boost, Bright switch with three positions, Speaker outputs: 1 x 8 Ohm, 2 x 16 Ohm oder 1 x 16 Ohm, Dimensions (W × H × D): 665 × 365 × 360 mm, Weight: 21.35 kg, Colour: Orange, Made in UK

  • Oradea

    XAOC Devices Oradea, Eurorack Module, 4-channel voltage-controlled resonator, Four bandpass filters, each with controls for frequency, resonance, level (each with CV input) and phase reverse switch, Excite input per channel allows pinging, CV inputs for joint control of frequency and resonance, Individual output per channel and master output, Audio input, Expandable via Arad Resonator Commander module (Art. #617685#, not included), Power consumption: 210 mA (+12V) / 190 mA (-12V), Width: 20 HP, Depth: 40 mm

  • Orama

    Crazy Tube Circuits Orama, Effect Pedal for Electric Guitar, Analogue double pedal: fuzz and amp-in-a-box, Reproduces classic rock and stoner/doom sounds, Right side (Fuzz): finely tuned reproduction of a boutique fuzz pedal (Frantone Peachfuzz), Left side (amp): JFET-based circuit with internally increased operating range to 34 V for a genuine amplifier-like playing feel – captures the harmonic complexity of the legendary Orange OR120, Independent operation of the FUZZ and AMP sections, Click-less true bypass design thanks to high-quality relays on both sides, Controls (Fuzz): Fuzz, Tone, Volume, RAW, BURN, Controls (Amp): Gain, F.A.T., (Fatness Adjustment Tweak), Hz, KHz, H.F.D (High Frequency Dynamics), Master, With colour-coded labelling on the controls: black for fuzz, white for amp, 2 footswitches, 2 status LEDs – one for each effect side, Power-up bypass/engage preset function for the foot switches, Passives series FX loop, Top-mounted sockets, Current consumption: 82 mA, Power supply via 9 V DC mains adapter (2.1 x 5.5 mm barrel connector, centre negative - not included), Die-cast housing, Dimensions (W x L x H): 120 x 97 x 49 mm, Weight: 423 g, Colour: Burnt Orange, Designed and handcrafted in Athens, Greece

  • Orbit 11 Black

    Palmer Orbit 11 Black, Active Coaxial Three-Way Studio Monitor, Coaxial true point source, Equipped with: 2 pulse-compensated 8‘ woofers, coaxial 6.5" midrange driver / 1" tweeter, Power: 400 W RMS (230 W bass, 2 x 40 W midrange, 90 W treble) / 1000 W peak, Frequency range: 28 - 28.000 Hz +/-3 dB, Sound pressure level: 116 dB, 3-way system with maximum precision and clarity across the entire bandwidth and crisp, resonance-free bass, Wide frequency range allows use without a subwoofer in most cases, 120° ×120° constant directivity provides uniform coverage, Cardioid radiation pattern in the mid and high frequency ranges from 250 Hz reduces room excitation., Advanced low-end design improves wall coupling and reduces cancellations, Linear phase digital filters with minimal latency via high-resolution DAC and DSP at 96 kHz / 24 bit, Clear control panel with presets for compensating acoustic effects caused by tables and walls allows for quick adjustments, Analogue and AES3 inputs allow integration into a wide variety of environments, Analogue line input: 3-pin XLR balanced, AES3 input: 3-pin XLR, AES3 output: 3-pin XLR, IEC cold device plug for mains voltage, Closed die-cast aluminium housing for extremely low resonance, Dimensions (W × H × D): 216 × 293 × 292 mm, Weight: 13.9 kg, Colour: Black

  • Orbit 11 White

    Palmer Orbit 11 White, Active Coaxial Three-Way Studio Monitor, Coaxial true point source, Equipped with: 2 pulse-compensated 8‘ woofers, coaxial 6.5" midrange driver / 1" tweeter, Power: 400 W RMS (230 W low, 2 × 40 W midrange, high) / 1000 W peak, Frequency range: 28 - 28 Hz +/-3 dB, Sound pressure level: 116 dB, 3-way system with maximum precision and clarity across the entire bandwidth and crisp, resonance-free bass, Wide frequency range allows use without a subwoofer in most cases, 120° ×120° constant directivity provides uniform coverage, Cardioid radiation pattern in the mid and high frequency ranges from 250 Hz reduces room excitation., Advanced low-end design improves wall coupling and reduces cancellations, Linear phase digital filters with minimal latency via high-resolution DAC and DSP at 96 kHz / 24 bit, Clear control panel with presets for compensating acoustic effects caused by tables and walls allows for quick adjustments, Analogue and AES3 inputs allow integration into a wide variety of environments, Analogue line input: 3-pin XLR balanced, AES3 input: 3-pin XLR, AES3 output: 3-pin XLR, IEC cold device plug for mains voltage, Closed die-cast aluminium housing for extremely low resonance, Dimensions (W × H × D): 216 × 293 × 292 mm, Weight: 13.9 kg, Colour: White

  • Orbit 3

    Joranalogue Audio Design Orbit 3, Eurorack Module, An analogue chaos oscillator, A wide range of applications from LFO / VCO to chaotic modulation source to noise, Frequency control possible with an audio / low switch (range: 2.4 mHz - 22 kHz), A distribution controller controls the internal feedback path and the "width" of the two modulation loops (orbits), The interaction of the two orbits and their shift to the 0 V point is controllable via the two Equilibrium controls, CV inputs for Equilibrium + and Equilibrium, CV input with bipolar attenuator for frequency and distribution, Tame / Wild switch, Reset input, 6 Chaos outputs with 60° phase shift each (range: 3 - 12 V pp), Equilibrium CV output (range: 0 to +5 V), Current consumption: 70 mA (+12 V) / 65 mA (-12 V), Width: 10 HP, Depth: 43 mm

  • Orbita

    Playtronica Orbita, Haptic Sequencer, Creates melodies and rhythms by placing magnets on a rotating disc, No screens or complex software, Ideal for beginners, musicians, educators and creative professionals, Up to four simultaneous loops possible, Speed control via rotary knob, Mute individual tracks using lettered buttons, Connection to DAW via USB-C, Control of software and hardware synthesizers via MIDI, USB-C, MIDI out, Delivery content: USB-C cable, Set of magnets, Weight: 0.66 kg

  • Orchestra Alto Eb-Trombone

    Kühnl & Hoyer Orchestra Alto Eb-Trombone, Eb Alto Trombone, Model: Orchestra Alto, Bell made of gold brass, Ø 180 mm, Nickel silver slide, Clear lacquer, Bore: 12.20 mm, Incl. mouthpiece 6- 1/2 AL-S, Without case

  • Orchestra Alto Eb/Bb- Trombone

    Kühnl & Hoyer Orchestra Alto Eb/Bb- Trombone, Eb/Bb- Alto Trombone, Model Orchestra Alto, With valve, 180 mm diameter gold brass bell, Nickel silver slide, Clear lacquer finish, Bore: 12.20 mm, Includes 6- 1/2 AL-S mouthpiece, Without case

  • Orchestra Chair B2012

    Bergerault Orchestra Chair B2012, Orchestra chair, Adjustable backrest, Adjustable seat inclination, Height: 50 cm, Padded, Stackable (max 5 pieces), Successor of model B1012, Colour: Black

  • Orchestra No.1 Cello 4/4

    Stefan Semmlinger Orchestra No.1 Cello 4/4, Cello, Semmlinger Stradivari family model, Tonewood seasoned for at least 10 years, Solid top made of Alpine spruce, Flamed maple back, Maple sides, Maple neck, Ebony fingerboard and ebony saddle, Otto Tempel English-style pegs made from ebony, Hand-applied gold-amber oil varnish, Strings: A and D Larsen Soloist, G and C Thomastik Spirocore tungsten, Bender carbon endpin, Acoustikus tailpiece, The cello is personally broken in by Stefan Semmlinger, Made in Germany

  • Orchestra No.2 Cello 4/4

    Stefan Semmlinger Orchestra No.2 Cello 4/4, Cello, Size: 4/4, Semmlinger Stradivari family model, Made in Germany, Tonewood seasoned for at least 10 years, Solid top made of fine-grained Alpine spruce, Maple back, Maple sides, Maple neck with pronounced flaming, Ebony fingerboard and ebony saddle, Otto Tempel English-style pegs made from ebony, Hand-applied reddish-brown antique oil varnish, Individually adjusted to the respective cello, with Larsen, Thomastik and Pirastro strings, Bender carbon endpin, Acoustikus tailpiece, The cello is personally broken in by Stefan Semmlinger

  • Orchestra Signature

    Kühnl & Hoyer Orchestra Signature, B/ F/ Gb/ D Bass Trombone, Exchangeable brass bell Ø: 240 mm, With "open flow" valves "in-line" construction, With "heavy cap" at the quart valve, Nickel silver slide (mod. "Orchestra symphonic"), Incl. exchangeable brass mouth pipe with mouth piece bass 7.6 D, A case is not included

  • Orchestra Symphonic

    Kühnl & Hoyer Orchestra Symphonic, Bb / F / Gb / D Bass Trombone, Orchestra Symphonic, In-line, "Open Flow" Meinlschmidt valves, Interchangeable gold brass bell, Bell diameter: 260 mm, Bore: 14.30 mm, Heavy cap on the f-attachment, Curved grip brace on the body and slide, Adjustable tuning slide on both valve levers, Nickel silver slide with interchangeable mouthpipe, With clear lacquer, Incl. mouthpiece Kühnl Bass 7.6 D

  • Orchestra Symphonic BLZ

    Kühnl & Hoyer Orchestra Symphonic BLZ, Bb / F / Gb / D Bass Trombone, With bronze lightweight slide, In-line, "Open Flow" Meinlschmidt valves, Interchangeable German gold brass bell, Bell diameter: 260 mm, Bore: 14.30 mm, Heavy cap on the f attachment, Curved brace on the body and slide, Adjustable tuning slide on both valve levers, Clear lacquer, Incl. Kühnl Bass 7.6 D mouthpiece

  • Orchestra Symphonic detach.

    Kühnl & Hoyer Orchestra Symphonic detach., Bb / F / Gb / D Bass Trombone, Inline, "Open Flow" Meinlschmidt valves, Replaceable gold brass bell with screw-off cup (screw ring), Bell diameter: 260 mm, Bore: 14.30 mm, Heavy cap on the F-attachment, Curved support bar on the body and slide, Adjustable push plate on both valve levers, Nickel silver light slide with replaceable lead pipe, Clear lacquer finish, Includes Kühnl Bass 7.6 D mouthpiece

  • Organ 3

    Clavia Nord Organ 3, Dual Manual Organ, Two 61-key Waterfall keyboards with three sensors, Two sets of drawbars per manual with LED drawbar, Five organ models (B3, Farfisa, Vox, 2 x Pipe) and five bass pedal models, Rotary speaker and amplifier simulation with adjustable drive and three selectable microphone positions, Modulation effects: Ring Modulator, Tremolo, Phaser, Flanger, Chorus, 3-band EQ, Delay with tap tempo, analogue mode and switchable filters, Reverb with six algorithms: Room, Booth, Spring, Stage, Hall, Cathedral, OLED display, Dimensions (W x D x H): 985 x 446 x 165 mm, Included power cord@+*Connectors:*, Stereo monitor input: 3.5 mm mini jack, Pedal inputs for sustain, swell and rotary control: 3 x 6.3 mm jack, MIDI input, MIDI output, Stereo output: Two 6.3 mm jacks, AUX output: 6.3 mm jack, Stereo headphone output: 6.3 mm jack, Line output: 6.3 mm jack, 11-pin rotary speaker connector, Bass pedal: 5-pin DIN, USB port

  • Organ Drive

    Tube Amp Manufactur Organ Drive, Tube Effect Device for Organs and Keyboards, Distortion for organ sounds and keyboards, 2 Channels for quick access to 2 different sounds, 2 Built-in ECC83 tubes, Special gain circuit processes every conceivable input level, Bypass with relay, Compact housing made of brushed stainless steel, Input and output: 6.3 mm jack, Dimensions (L x W x H): 217 x 175 x 52 mm, Weight: 1.7 kg (incl. power supply), Incl. external power supply

  • Organizer V2 Organ Emulator

    EarthQuaker Devices Organizer V2 Organ Emulator, Effects pedal, Polyphonic organ simulator effect pedal, Processes single notes and chords of all kinds, Fully analog dry signal path, True Bypass, Controls for Up, Down, Choir, Direct, Tone, Lag, Bypass foot switch, Noiseless relay-based soft-touch circuit, Status LED, Metal housing, 6.3 mm mono-jack inputs / outputs on the front, Power supply via 9 V DC power supply (2.1 mm x 5.5 mm hollow plug, polarity (-) inside, not included), no battery operation possible, Power consumption: 65 mA, Dimensions (L x W x H): 117 x 64 x 57 mm, Handmade in USA

  • Ori Enji 5 Gunmetal Grey

    Mayones Guitars Ori Enji 5 Gunmetal Grey, 5-String Electric Bass, Body: Ash, Bolt-on neck: Wenge, Fingerboard: Wenge, Dot fingerboard inlays, Neck profile: Asymmetrical, Fingerboard radius: 241 mm (9.5"), Multiscale: 863 - 939 mm (33.98" - 36.97"), Nut width: 46 mm (1.81"), 24 Frets, Pickups: 3 Mayones Velvetrone Grim VF Humbucker, Volume control with push/pull function for active / passive, Controls for bass/treble and middle, 6-Way rotary switch, Mayones Kissaki - Aluminium V-Fret bridge, Graphtech Ratio machine heads, Black hardware, Colour: Gunmetal Grey, Includes case

  • ORIA

    Audient ORIA, USB 2.0 immersive audio interface and monitor controller with USB-C connection, Supports up to 9.1.6 speaker setups, Onboard Room Calibration DSP, Sonarworks SoundID Referenz Integration, Remote Control Software, AD/DA conversion: 24bit / 96kHz, Dynamic range inputs: 122 dB, Dynamic range outputs: 126 dB, 2 x 16 Channel surround outputs (analogue & AES), 2 z Stereo line outputs (relay-switched), 2 x Independent stereo headphone outputs, 2 x Audient Console microphone preamps (microphone / line / instrument), 2 x ADAT, word clock input and output, Fanless design, Dimensions: 19" / 1U, Includes Sonarworks SoundID reference measurement microphone and 60-day free trial version of SoundID Reference for Multichannel, *Note:* After the 60-day trial period has expired, the created profiles can no longer be accessed. A licence must be purchased for further use.

  • Orianthi SJ-200 Lotus Lefthand

    Gibson Orianthi SJ-200 Lotus Lefthand, Steel-String Guitar with Pickup, Left-handed model, Orianthi Signature Custom Shop Model, Solid top: Hand-picked Sitka spruce, Solid back and sides: Hand-picked maple, Ebony fingerboard, Fingerboard inlays: Dots, Scale: 628 mm, 20 Frets, Custom LR Baggs pickup system, Colour: Transparent Cherry Red, Includes case, Made in USA