Hardware

Explore recording, monitoring, and studio hardware. Compare published products, specifications, and community reviews before choosing equipment for your setup.

  • Mixup

    Intellijel Designs Mixup, Extendable Eurorack Format Audio Mixer, Inputs 1 and 2 are single-channel mono inputs, each with its own mute switch and level control, Input 3 is a two-channel stereo input with a common mute and level control, Input 4 is an additional, non-modifiable stereo input, Several modules can be connected with bus cables on the back, Width: 6 HP, Depth: 29 mm, Power requirement: +15 mA (+12 V) / -16 mA (-12 V)

  • Mixwitch Black

    Klavis Mixwitch Black, Eurorack Module, Mixer / Switcher, Dual 2:1 mixer, normalised 4:1, Click-free mute function, Click-free polarity reversal per input with LED display, Modulation vs. audio mode selection (lin/log) per mixer, Two LEDs on each output indicate amplitude and polarity of the output signal, Non-connected inputs have a fixed voltage to facilitate offset creation, DC-coupled analogue signal path, Switch between 4 inputs, only 2 or deactivated, Input can be selected sequentially or randomly via clock/trigger, Input selectable depending on the control voltage, Settings are retained via the circuit, Power consumption: 39 mA (+12 V) / 24 mA (-12 V), Width: 8 HP, Depth: 25 mm

  • Miza Flow Rack

    Zaor Miza Flow Rack, 19" 3U Desktop Rack, Specially designed for the Miza Flow table, The system can be freely positioned using a rail system and then securely fixed in place, Up to three Miza Flow racks can be positioned on a single Miza Flow, Cable passage on the top, Also ideal as a stand for studio monitors, Dimensions (W x D x H): 533 x 382 x 173 mm, Weight: 7.6 kg

  • Miza Griprack 2 MK2 Black Oak

    Zaor Miza Griprack 2 MK2 Black Oak, 19" Desk Rack with 2 U, Part of ZAOR's modular concept, Turns an office desk or table top with a thickness of up to 35 mm into a producer's desk, Mounting directly on the tabletop with fixing by a knurled screw, With AERSTOP pad for using the rack as a speaker or monitor stand, Width: 561 mm, Depth: 430 mm, Weight: 11 kg, Colour: Black Oak

  • Miza Griprack 2 MK2 Grey Wenge

    Zaor Miza Griprack 2 MK2 Grey Wenge, 19" Table Rack with 2 U, Part of the modular concept from ZAOR, Turns an office table or tabletop with a thickness of up to 35 mm into a production table, Attaches directly to the table top via knurled screw, With AERSTOP pad for using the rack as a speaker stand or monitor stand, Width: 561 mm, Depth: 430 mm, Weight: 11 kg, Colour: Grey wenge

  • Miza Griprack 4 MK2 Black Oak

    Zaor Miza Griprack 4 MK2 Black Oak, Table Rack with 19" 4U, Part of ZAOR's modular concept, Turns an office desk or tabletop (up to 35 mm thick) into a producer's desk, Mounts directly to the tabletop (fixed with a spiral screw), With AERSTOP pad for use as a speaker or monitor stand, Width: 561 mm, Depth: 460 mm, Weight: 12.5 kg, Colour: Black Oak

  • Miza Griprack 4 MK2 Grey Wenge

    Zaor Miza Grip Rack 4 MK2 Grey Wenge, 19" Table rack with 4U, Part of the modular concept of ZAOR, Turns an office desk or table top (with a thickness of up to 35 mm) into a producer's table, Mounts directly onto the table top (fixing is via a knurled thumb screw), With an AERSTOP pad for using the rack as a loudspeaker or monitor stand, Width: 561 mm, Depth: 430 mm, Colour: Grey Wenge, Weight: 12.5 kg

  • MIZA Rack 12 MKII Anniv Black

    Zaor MIZA Rack 12 MKII Anniv Black, 12 U Rack, Suitable for Miza Series, With drawer, Dimensions (H x W x D): 818 x 541/600 (bottom/top) x 601/500 mm (bottom/top), Weight: 38 kg, Colour: Anniversary Black

  • MIZA Rack 12 MKII Black Oak

    Zaor MIZA Rack 12 MKII Black Oak, 12 U Rack, Suitable for the Miza series, Dimensions (H x W x D): 818 x 541/600 (bottom/top) x 601/500 mm (bottom/top), With drawer, Weight: 38 kg, Colour: Black Oak

  • MIZA Rack 12 MKII Grey Wenge

    Zaor MIZA Rack 12 MKII Grey Wenge, 12U Rack, Suitable for the Miza series, With drawer, Dimensions (H x W x D): 818 x 541/600 (bottom / top) x 601/500 mm (bottom / top), Weight: 38.00 kg, Colour: Grey Wenge

  • MIZA Rack 16 MKII Anniv Black

    Zaor MIZA Rack 16 MKII Anniv Black, 16 U Rack, Suitable for the Miza series with 16 RU, Material: Melamine resin-coated chipboard, With drawer, Dimensions (H x W x D): 995 x 541/600 (bottom/top) x 710/500 mm (bottom/top), Weight: 43 kg, Colour: Anniversary Black

  • MIZA Rack 16 MKII Black Oak

    Zaor MIZA Rack 16 MKII Black Oak, 16U Rack, Suitable for the Miza series with 16U, Material: Melamine coated chipboard, Dimensions (H x W x D): 995 x 541/600 (bottom/top) x 710/500 mm (bottom/top), with drawer, Weight: 43.00 kg, Colour: Black Oak

  • MIZA Rack 16 MKII Grey Wenge

    Zaor MIZA Rack 16 MKII Grey Wenge, 16U Rack, Suitable for the Miza series, With drawer, Material: Melamine resin-coated chipboard, Dimensions (H x W x D): 995 x 541/600 (bottom / top) x 710/500 mm (bottom / top), Weight: 43.00 kg, Colour: Grey Wenge

  • MJ Series Rhoads RR24MG WH

    Jackson MJ Series Rhoads RR24MG WH, Electric Guitar, Randy Rhoads Model, Body: Alder, 3 Piece maple neck, high-gloss finish, Matching headstock, Fingerboard: Ebony, Fingerboard Radius: 305 mm-406 mm (12" - 16") Compound, Fingerboard inlays: Pearloid Sharkfins, Nut: Floyd Rose Original locking, Nut Width: 42. 9mm (1.6875"), 24 Jumbo frets, Pickups: EMG 81 (bridge), EMG 85 (neck), Volume and tone control, 3-way switch, Bridge: Gotoh GE1996T Series Double-Locking Tremolo (Recessed), Machine heads: Gotoh Sealed Die-Cast Gold, Strings: Nickel-plated steel (009 - 042), Colour: White high-gloss with black pinstripes, Included Jackson foam core case (#461135#)

  • MK 2

    Schoeps MK2, Microphone Capsule@+This capsule type has a flat frequency response for frontal sound incidence. This yields a very natural sound when recordings are made within the reverberation radius, where the direct sound (frontal incidence) predominates over the reverberant sound (random angles of incidence).@+@+This type of microphone can and should be used very close to the sound source. The sound image never becomes overly brilliant or sharp. Care must be taken to ensure that the microphone axis is aligned with the sound source, as a loss of treble would result from lateral incidence.@+@+The MK 2 capsule has qualities of a measuring microphone, which is why it has been used for a long time also for measuring purposes.@+@+For calibration with B&K devices, a mechanical adapter of 20 mm diameter is available in inch dimensions, of type AMBK1.@+@+, Omnidirectional capsule (genuine pressure receiver), Constant frequency response, Corrected for a free sound field, For use close to the sound source, Frequency range: 20 Hz - 20 kHz, Sensitivity: 15 mV/Pa, Equivalent noise level: 11 dBA, Signal-to-noise ratio: 83 dBA, Peak sound pressure level (at 0.5% THD): 130 dB, Colour: Grey

  • MK 2 H

    Schoeps MK 2 H, Microphone Capsule, True pressure transducer, Omnidirectional characteristic, Slight treble boost compensates for distance-related treble loss at moderate recording distance, Frequency range: 20 - 20,000 Hz, Sensitivity: 15 mV/Pa, Equivalent noise level: 12 dBA, Noise level distance: 82dBA, Limiting sound pressure level (at 0.5% THD): 130 dB, Colour: Grey

  • MK 2 S Omni

    Schoeps MK2 S Omni, Microphone CapsuleThe MK 2S exhibits a slight high-frequency emphasis for frontal sound incidence, with only a slight rolloff of high frequencies off axis and in the reverberant sound field. @+@+This frequency response characteristic falls between that of the MK 2 and the MK 3, making the capsule suitable for a wide range of applications.@+@+The MK 2S has proven particularly useful in two- and three-microphone stereo arrays, where its placement near the reverberation radius of the sound field presents a sonically balanced pickup favored by many recording engineers. This model has become our most popular pressure transducer.@+@+, Polar pattern: Omidirectional, Slight high-frequency rise to compensate for losses at moderate recording distances, For a very wide range of recording applications, omnidirectional, Frequency response: 20 Hz - 20 kHz, Sensitivity: 12mV / Pa, Equivalent noise level: 12 dBA, Signal to noise ratio: 82dBA, Max. sound pressure level (at 0.5% THD): 132 dB, Colour: Grey

  • MK 21 Wide Cardioid

    Schoeps MK 21 Wide Cardioid, Microphone CapsuleThis type of capsule has a directional pattern between omni and cardioid. @+@+The basic idea in designing this capsule was to combine the advantages of the cardioid with those of the omni. This results in a pickup pattern which blends the two sets of characteristics. It has fuller and more extended low-frequency response than a cardioid, with less proximity effect, while picking up more room sound than a cardioid.@+@+The polar diagram shows the directivity of the MK 21 to be only slightly dependent on frequency. This contrasts with omnidirectional capsules, whose directivity increases with rising frequency, and with cardioids (at least smaller ones), which tend to accentuate high frequencies that arrive at oblique angles.@+@+The polar diagram shows the directivity of the MK 21 to be only slightly dependent on frequency. This contrasts with omnidirectional capsules, whose directivity increases with rising frequency, and with cardioids (at least smaller ones), which tend to accentuate high frequencies that arrive at oblique angles.@+@+The MK 21’s orientation is less critical than with a cardioid, since direct sound arriving on axis and reverberant or other sounds off axis are both reproduced accurately. This lack of coloration in the off-axis pickup produces a “warm” and natural sonic impression.@+@+The low directivity of this capsule type prevents it from generating large enough level differences for X/Y use, though M/S and near-coincident spacings are often successful.@+@+Together with the cardioid and supercardioid, this is one of the most preferred types among our capsules.@+@+, Especially consistent directionality throughout its frequency range, Pleasant sonic impression, often described as “warm”, Frequency response: 30 Hz - 20 kHz, Sensitivity: 10mV / Pa, Equivalent noise level: 16 dBA, Signal-to-noise ratio: 78 dBA, Maximum sound pressure level (at 0.5% THD): 134 dB, Colour: Grey

  • MK 22

    Schoeps MK 22, Capsule, Open cardioid, Low frequency dependence of directivity, Pleasant, often described as warm sound, Transmission range: 40 - 20,000 Hz, Sensitivity: 10mV / Pa, Replacement noise level: 14 dBA, Noise level distance: 80 dBA, Boundary sound pressure level (at 0.5% THD): 131 dB, Colour: Grey

  • MK 4 Cardioid

    Schoeps MK 4G Cardioid, Microphone Capsule@+The MK 4 is optimised with regard to insensitivity to rear-incident sound. As is typical for the classic cardioid, the attenuation is 6 dB at 90° lateral incidence, up to 30 dB with incidence from the rear - depending on the frequency and the distance. Diffuse incident sound is reproduced 4.8 dB weaker than frontal, a value which corresponds to the bundling measure. The larger this is, the less "space" a microphone transmits and the lower its susceptibility to acoustic feedback.@+@+With its polar pattern, at the same reverb balance, the MK 4 can be positioned approximately 1.7 times as far away from the sound source as a pressure receiver of the same sensitivity. Even in the diffuse sound field, i.e. at a great distance from the sound source in the room, this microphone type has a constant frequency response - except for a slight increase at 10 kHz.@+@+The sound image is present and free from discolouration. This microphone type is equally suitable for voice and music recordings, which is why it is used in the ORTF stereo microphone (MSTC 64 Ug, or STCg). As an XY pair as well as a mid-microphone in an MS arrangement, it also delivers excellent results.@+@+This microphone type is very versatile and is therefore used most frequently.@+@+, Cardioid, For speech and singing at a short distance, For universal use, High frequency independence of the polar pattern, Frequency range: 40 Hz - 20 kHz, Sensitivity: 13 mV/Pa, Equivalent noise level: A-rated: 15 dB-A, CCIR: 24 dB, Noise ratio, A-weighted: 79 dB (A), Peak sound pressure level (at 0.5% THD): 132 dB, Surface: Matt grey

  • MK 41 Super Cardioid

    Schoeps MK 41 G Super Cardioid, Super-Cardioid Capsule@+@+The MK 41 is strongly directional. Sound arriving from off axis is attenuated even more than with a cardioid. The pickup is “drier” and less susceptible to acoustic feedback than any other SCHOEPS capsule type (a loudspeaker should not be located directly along the rear axis of the microphone, however).@+@+@+Its directivity is highly independent of frequency, so that even sounds arriving off axis and reverberant sound are registered without colouration. Consequently, even distant placement of the capsule produces a very natural sound pickup. This is a real advantage over interference-tube “shotgun” microphones, whose directivity is very frequency-dependent – exceeding that of a supercardioid only at higher frequencies. Interference-tube microphones are notoriously sensitive to their position in a room, where the shifting patterns of reflections cause corresponding shifts in sound color. Thus the MK 41 are surprisingly effective, space-saving alternatives to shotgun microphones – and being small, they can often be placed closer to the sound source.@+@+@+An M/S microphone arrangement can be set up at quite some distance from the sound source if an MK 41 is used for the “M“ channel.@+@+, Super-cardioid, High directivity, comparable to mid frequencies with standard (short) shotguns, High frequency independence of the polar diagram, Frequency range: 40 Hz - 20 kHz, Sensitivity: 13mV/Pa, Equivalent noise: A-weighted: 16 dB-A, CCIR: 24 dB, Noise ratio, A-weighted: 78 dB A, SPL (at 0.5% THD): 132 dB, Surface: Matte grey, Suitable for CMC 6 Pre-Amp