Hardware

Explore recording, monitoring, and studio hardware. Compare published products, specifications, and community reviews before choosing equipment for your setup.

• MI-58RT-DNT

  Mipro MI-58RT-DNT, Digital 5.8 GHz In-Ear Monitoring Set, With built-in Dante interface, Frequency range: 5.725 - 5.850 GHz, Set consisting of MI-58T radio transmitter with Dante, MI-58R pocket receiver, E-8S in-ear headphones and MP8 charging tray, Up to 12 compatible channels, Latency: <2.2 ms, Up to 100 metres range, Stereo/mono/mix-mono operation, Equalizer, Receiver with 3.5 mm headphone output with 120 mW @ 16 Ohm, Power supply via included rechargeable battery, Battery charging via charging station, Transmitter with balanced and unbalanced line inputs: Two combo jacks, Output: 6.3 mm jack (loop out), OLED for function menu, LED for input level, Headphone connection 3.5 mm mini jack or 6.3 mm jack, Transmission power: 25 mW, RJ11 Remote I/O, Standard 9.5"/1U rack housing, Receiver dimensions (W x D x H): 63 x 82 x 23 mm, Transmitter dimensions (W x D x H): 210 x 44 x 206 mm, Weight of the receiver: 98 g including batteries, Weight of the transmitter: 1.1 kg, Includes charging station, headphones with three different earpieces and power supply

• MI-909R 5E

  Mipro MI-909R 5E, Digital diversity UHF In-Ear Monitoring Pocket Receiver, Frequency range: 480 - 544 MHz, Very compact, lightweight and robust magnesium housing, Stable PLL synthesiser technology, Automatic synchronisation with the frequency of the receiver, Reception range of up to 100 m, Digital diversity receiver technology prevents dropouts and increases the reception range, Headphone output: 3.5 mm stereo mini jack output - 120 mW @ 16 ohm, Extended operating time with 2 AA alkaline batteries, Weight including batteries: 98 g, Dimensions: 63 x 82 x 23 mm

• MI-909RT 5E

  Mipro MI-909RT 5E, Digital UHF In-Ear Monitoring Set with 64 MHz Switching Bandwidth, Frequency range: 480 - 544 MHz, Set consisting of MI-909T digital stationary transmitter and MI-909R portable digital diversity pocket receiver, Latency < 4 ms, Range of up to 100 m, Stereo/mono/mix-mono operation, Sturdy PLL synthesizer technology, Automatic synchronisation of the receiver frequency (Auto Channel Targeting), 256-bit encryption, Receiver with digital diversity technology, Receiver with 3.5 mm headphone output with 120 mW @ 16 ohm, Compact, lightweight and robust magnesium housing, Power supply via AA batteries, Transmitter with two XLR/jack combo sockets - Mic/Line level switchable, Output: 6.3 mm jack (loop out), OLED for function menu, LED for input level, Monitor connection: 6.3 mm jack, Adjustable transmitter power: 10 mW / 100 mW, Standard 9.5"/1U rack housing, RJ11 remote I/O, Removable TNC transmitter antenna, Receiver dimensions (W x D x H): 63 x 82 x 23 mm, Receiver dimensions (W x D x H): 210 x 44 x 206 mm, Weight of receiver including batteries: 98 g, Weight of the transmitter: 1.1 kg

• Mic Booster CM-1

  Klark Teknik Mic Booster CM-1, Dynamic Microphone Booster, Up to 25 dB gain, Requires 48 V phantom power, XLR input/output, Frequency range: 10 - 20,000 Hz (± 1 dB), Dimensions: 38 x 39 x 85 mm, Weight: 0.25kg

• Mic Booster CM-2

  Klark Teknik Mic Booster CM-2, Dynamic Microphone Booster, Gain: 25 dB, Phantom power: 48 V, 2 XLR inputs / outputs, Frequency range: 10 - 20,000 Hz (± 1 dB), Dimensions: 65 x 39 x 85 mm, Weight: 0.37 kg

• Mic Booster CT1

  Klark Teknik Mic Booster CT1, Dynamic Microphone Booster, For dynamic or passive ribbon microphones, Gain: 25 dB, Power supply via phantom power, Frequency range: 10 - 20,000 Hz (± 1 dB), Input and output: XLR, Dimensions: 24 x 25 x 78 mm, Weight: 100 g

• Mic Mechanic 2

  TC-Helicon Mic Mechanic 2, Vocal Effects Pedal, With mic preamp, 24 V phantom power (continuous), Effects: reverb, delay tone correction (with automated compressor / EQ and de-esser) and pitch correction, Tap Tempo function, 8 Presets, Remote control via optional MP-75 Micro, Balanced XLR mic input, XLR balanced line output, USB port, Power possible via battery or power supply (neither included), Dimensions: 140 x 90 x 60 mm, Weight: 0.42 kg, Matching bag: Art. #486899# (not included)

• MIC2200 V2

  Behringer MIC2200 V2, Audiophile vacuum tube mic / line preamp, 2-Channel, Large bandwidth from 10 to 200,000 Hz for "open" sound, Mic / Line switchable, Phantom power 48 V, Tunable Hi and Lo Cut, Phase reverse, Adjustable output level (VU meter), Inputs and outputs: Balanced XLR / jack, Design: 19"/ 1U

• MIC300 Tube Ultragain

  Behringer MIC300 Tube Ultragain, 1-Channel Tube Preamp For Microphone And Instrument, Hand-selected 12AX7 tube, An integrated limiter, 20 dB Pad, Phase inverter switch, +48 V Phantom power, Gain and output volume controls, LED meter, Microphone input: XLR, Instrument input: 6.3 mm jack balanced, Line output: XLR and 6.3 mm jack balanced, Incl. a power supply unit

• MIC500USB Tube Ultragain

  Behringer MIC500USB Tube Ultragain, Tube Preamp & Audio Interface, Preamp modeling with 16 preamp presets for voices, acoustic and electric guitar, bass, keyboards, drums and other sound sources, Limiter, 20 dB pad, Phase reverse switch, 48V phantom power, Gain and output volume controls, USB audio interface, Jacks and XLR jack, Including power supply

• Michael Landau 68 RelicStratSB

  Fender Michael Landau 68 RelicStratSB, Electric Guitar, Michael Landau Signature 1968 Relic Stratocaster, Bleached 3-Color Sunburst, Artist Series, Body: Select lightweight alder, Maple neck, Custom C shape, 21 Narrow jumbo frets, Rosewood fretboard (Dalbergia latifolia), Scale 648 mm, Nut width 42 mm, Pickups: Custom Shop Fat '50s single coil, 5-Way switch, 1x volume and 2x tone control, Nickel/Chrome hardware, Vintage-style synchronized tremolo, 3-Plys mint green pickguard, Finish: Bleached 3-Color Sunburst, Incl. Case, strap and certificate

• Michael Landau Coma Strat

  Fender Michael Landau Coma Strat is an electric guitar.

• Mick Ronson Cry Baby Wah

  Dunlop Mick Ronson Cry Baby Wah, Effect Pedal for Electric Guitar, Mick Ronson Signature model, Wah Wah, Customised for Ronson's characteristic fixed wah sounds, Special inductor replicates the higher frequency response and the more subtle peak, Fast initial sweep with direct response, Distinctive EQ curve from period-compliant components, Power supply: 9V DC (not included), Made in USA

• Mickey - Distortion

  Tone City Mickey - Distortion, Effect Pedal for Guitar, Distortion, Inspired by a classic 'rodent'-style high-gain distortion pedal from the USA., Wide spectrum of possible sounds from nice crunch to fat, rich high-gain tones, Dynamic response to the guitar's volume control and the pick attack, Controls: Volume, Tone, Gain, Mod toggle switch selects between 2 clipping settings, Bypass foot switch, Status LED behind transparent gain control, Metal housing, True Bypass, Input: 6.3 mm mono jack, Output: 6.3 mm mono jack, Power supply connection: Barrel plug 5.5 x 2.1 mm (centre negative), Power supply via 9V DC power supply unit (not included in scope of delivery), Current consumption: 4 mA, Dimensions (L x W x H): 94 x 45 x 48 mm, Weight: approx. 260 g@+*Note: *Battery operation not supported

• MickXer Black

  myVolts MickXer Black, Passive Stereo Line Mixer, 5 stereo input channels: 3.5 mm TRS, 1 stereo output channel: 3.5 mm TRS, Passive operation without a power supply unit or battery, Simultaneous mixing of up to five stereo sources, Noise filter for reducing ground loops and interference, Dimensions: 105 x 440 x 23 mm, Weight: 0.07 kg

• MICPAT-2

  Biamp Systems MICPAT-2, Tabletop Microphone, Robust dynamic desktop microphone for two zones, Talk button with LED display per zone, No power supply required (provided via the central system), Fits perfectly with the Apart Concept1/1T, Includes 5 m cable with open end

• MICPAT-D

  Biamp Systems MICPAT-D, Tabletop Microphone, Dynamic microphone with an on-off button for continuous talk, 3 m Cable with DIN5 connector

• Micro Amp M133

  MXR Micro Amp M133, Pedal Preamp@+Guitarists never tire of looking for more and more great pedals to tweak their distortion sound, but what if the amp already sounds great but could do with a bit more gain? Overdrives and treble boosters would alter the frequency response - not desirable in this case. This is exactly where the MXR Micro has been just the thing for many years - without distorting the sound, the amp gets exactly the kick it was missing; ideal for getting a powerful lead sound out of old Marshalls, Fenders and Voxes without messing up their beloved characteristic sound., Adjustable boost, Can equalise the different output of two guitars, Prevents signal loss in long effects chains, Gain control, status LED, Hardwire Bypass, Sturdy metal housing, Operation with optional 9V battery or optional 9V power supply - Art. #409939# (not included)

• Micro Bass 23 w/Bag

  Gold Tone Micro Bass 23 w/Bag, Acoustic Bass, Top: ergo glide from mahogany, Back and sides: mahogany, Neck mahogany, Fretboard: walnut (Juglans regia), Dot fretboard inlays, 2-way adjustable truss rod, 20 Frets, Scale: 584 mm, Nut width: 42.9 mm, Bridge: walnut, Saddle: bone, Neck joins body at the 14th fret, Butterfly bass-style machine heads, Electronics: built-in active piezo pickup incl. tuner and adjustable volume, bass and treble, Strings: Aquila polymer, Finish: natural matte, Incl. gig bag

• Micro Bass 23 w/Bag LH

  Gold Tone Micro Bass 23 w/Bag LH, Acoustic Bass, Left-hand model, Ergo Glide top: Mahogany, Back and sides: Mahogany, Neck: Mahogany, Fretboard: Walnut, Fretboard inlays: Dots, Adjustable 2-way truss rod, Scale: 584 mm, Nut width: 42.9 mm, Bridge: Walnut, Saddle: Bone, 20 Frets, Neck-body transition on the 14th fret, Butterfly bass style machine heads, Active piezo pickup with tuner, Controls for volume, basses and treble, Ex-factory stringing: Aquila polymer, Finish: Matte, Colour: Natural, Bag included

• Micro Bass 25 Fretless w/Bag

  Gold Tone Micro Bass 25 Fretless w/Bag, Acoustic Bass, Fretless, Top: Ergo Glide mahogany (Entandrophragma cylindricum), Back and sides: Okoume (Palaquium spp.), Neck: Okoume (Palaquium spp.), Fretboard: Walnut, Dot fretboard inlays, 2-Way adjustable truss rod, Scale: 635 mm, Nut width: 42.9 mm, Bridge: Walnut, Saddle: Bone, Butterfly bass style machine heads, Electronics: Built-in active piezo pickup including tuner, Controls: Volume, basses and treble, Stringing: Aquila polymer, Colour: Natural matte, Gig bag included

• Micro Bass 25 w/Bag

  Gold Tone Micro Bass 25 w/Bag, Acoustic Bass, Ergo Glide top: Mahogany, Back and sides: Mahogany, Neck: Mahogany, Fretboard: Walnut, 20 Frets, Fretboard inlays: Dots, 2-way adjustable truss rod, Scale: 635 mm, Nut width: 42.9 mm, Bridge: Walnut, Saddles: Bones, Butterfly bass style machine heads, Electronics: Built-in active piezo pickup including tuner with adjustable volume, bass and treble, Strings: Aquila Polymer, Finish: Satin, Incl. gig bag

• Micro Bass 3

  EBS Micro Bass 3, Preamp/Di-Box, Fully analogue, Controls: Master, Blend, Level, Mid, Tone, Drive, Comp, Bass, Treble and Gain, Inputs: 1x 6.3 mm bass input, 6.3 mm drive input, Outputs: FX- Loop (Send & Return, 6.3 mm jack, 2x XLR(Pre/ Post, Post Bal Out), Effect loop, Two footswitches for drive and mute, Power supply: 9 V DC, 450 mA, Dimensions: 168 x 124 x 53 mm, Weight: 660 g, Colour: Black, Includes power supply

• Micro Black

  Mellotron Micro Black, Digital Mellotron, Sample playback engine with 24-bit audio data, 100 Mellotron and Chamberlain sounds (based on the original sounds of the first generation from the 60s and 70s), 25-Key semi-weighted keyboard, Controllers for octave, volume, tone, A/B mix and pitch, 2 Displays, Line output: 6.3 mm jack, Sustain pedal input, Stereo headphone output: 6.3 mm jack, MIDI In/Out/Thru, Poly-AT input, External power supply connector, Colour: Black