Explore recording, monitoring, and studio hardware. Compare published products, specifications, and community reviews before choosing equipment for your setup.
Tiptop Audio Mantis Black, Eurorack Housing, Housing can be set up at three different angles: 0°, 45°, 90°, 36 Slots for Eurorack modules, Incl. external power supply: +12 V / 3000 mA, -12 V / 1100 mA, 5 V / 300 mA, Internal dimensions: width: 2 x 104 TE / HP, height: 6 U, Depth above bus board: approx. 50 mm, Internal depth lower row: approx. 61 mm, External dimensions (W x H x D): 540 x 107 x 314 mm, Weight: 3 kg, Colour: Black
Tiptop Audio Mantis Blau, Eurorack housing, Housing can be set up in three different angles: 0°, 45°, 90°, 36 Slots for Eurorack modules, Includes external power supply: +12 V / 3000 mA, -12 V / 1100 mA, 5 V / 300 mA, External dimensions (W x H x D): 540 x 107 x 314 mm, Internal dimensions: Width: 2 x 104 HP / HP, Height: 6 HE, Depth above the bus board: Approx. 50 mm, Inner depth (lower row): Approx. 61 mm, Weight: 3 kg
Tiptop Audio Mantis Orange, Eurorack Enclosure, Enclosure can be set up at three different angles: 0°, 45°, 90°., 36 Slots for Eurorack modules, Includes external power supply: +12 V / 3000 mA, -12 V / 1100 mA, 5 V / 300 mA, External dimensions (W x H x D): 540 x 107 x 314 mm, Internal dimensions: Width: 2 x 104 HP, Height: 6 U, Depth above bus board: approx. 50 mm, Internal depth bottom row: approx. 61 mm, Weight: 3 kg
Tiptop Audio Mantis Red, Eurorack Enclosure, Enclosure can be set up at three different angles: 0°, 45°, 90°., 36 Slots for Eurorack modules, Includes external power supply: +12 V / 3000 mA, -12 V / 1100 mA, 5 V / 300 mA, External dimensions (W x H x D): 540 x 107 x 314 mm, Internal dimensions: Width: 2 x 104 HP, Height: 6 U, Depth above bus board: approx. 50 mm, Internal depth bottom row: approx. 61 mm, Weight: 3 kg
Walrus Audio Mantle, Preamp and DI for Electric Bass, Developed in close collaboration with Ian Martin Allison for an optimal sound foundation for live, studio or home use, Specially wound Sapphire transformers, Delivers the powerful bass and low-mid sound of classic Neve preamps, Airy, articulate top end, inspired by API preamp architecture, High-impedance JFET buffer for articulate dynamics and exceptional clarity, Transformer-based amplification for up to +23 dB gain, Provides clean headroom and tape-like saturation, Customised bass and treble EQ with a sophisticated blend of shelving EQ, bandpass and various LP/HP filters, Transformer-balanced XLR output for generous headroom and uncompressed dynamics, Simultaneous use in front of an amplifier and an FOH input or recording interface, Active/passive pad reduces input sensitivity by 10dB, Ground lift switch to prevent ground loops, reduce noise and increase headroom on active basses, Controls: Bass, Gain, Treble, Bass and treble controls with 11 selectable presets each, Input: 1 x 6.3 mm jack, Outputs: 1 x 6.3 mm jack and 1x XLR male, Dimensions (W x D x H): 155 x 119 x 58 mm, Power supply: 9 V DC, 500 mA, centre negative (power supply not included), Made in USA
Klowra Mantra Dual Expression Pedal, Expression Pedal, Dual independent expression outputs: control two parameters simultaneously or control two devices, Integrated foot switch: activates effects, modes or functions, Passive design – no external power supply required, Polarity reverse switch per output: flexible control direction for different effects or devices, Potentiometer resistance value: 10 kOhm linear kOhm, Switch: Direction 1&2 (+/-), Footswitch: yes, Exp Out 1&2: 2x 6.3 mm stereo jack, Dimensions (W): 81 x D x 162 x H x 51 mm, Weight: 450 g, Includes 80 cm TRS cable
Maono Maonocaster AME2, Podcast Production Studio, Perfect for recording and streaming podcasts, video chats, etc., Four channels for microphones, smartphones and other sources, USB C connection with interface function, Loopback function, Noise suppression: reduces ambient noise, Adjustable reverb, 11 pads for feeding in samples: Battery operation up to eight hours, Battery charging time: Approx. three hours, charged via the USB C port, Bluetooth 4.2, Music-only button, 48 V phantom power@+*Connectors:*, 1 Combo input mic/line: XLR/jack, 2 Stereo headphone outputs, 2 Line out: 3.5 mm jack, Speaker output: 3.5 mm jack, AUX input: 3.5 mm jack, Microphone input for headsets or similar: 3.5 mm jack, Dimensions: 245 x 157 x 55 mm, Weight: 0.8 kg
Maono Maonocaster G1 NEO, Gaming USB-C Interface with Bluetooth, Microphone preamplifier with 48 V phantom power, 48 kHz / 16 Bit, Loopback function, Noise suppression: reduces ambient noise, Reverb can be added, Direct monitoring, Sidechain function: dampens the music while speaking, 4 Freely programmable pads for playing different samples, 12 Different RGB lighting modes, Microphone input: XLR, Aux input: 3.5 mm mini jack, Headset connection: 3.5 mm mini jack and Bluetooth 4.2, Line output: 3.5 mm mini jack, Headphone output: 3.5 mm mini jack, USB-C connection for power supply
NANO Modules MAR, Eurorack Module, Analogue dual mixer, MAR offers 2 independent mixers in one module, Mixer X with 4 inputs and volume control per channel, Normal (X+) and inverted output (X-) available, Mixer Y sums up 4 inputs to a common sum knob, Outputs for Y and X+Y available, Output of Mixer X can be normalised to Mixer Y, Processes audio, CV, trigger and gate signals, Noise-free audio quality with high headroom, All controllers with logarithmic characteristic curve, Power requirements: +20 mA (+12 V) / -20 mA (-12 V), Width: 8 HP, Depth: 20 mm
La Mancha Marble-N-SCC, Classical Guitar, Size: 4/4, Narrow neck, Top: Solid canadian cedar, Back and sides: Mahogany, Neck: Mahogany, Fretboard and bridge: Ovangkol, Nut and bridge inlay: Nubone, Scale length: 650 mm, Nut width: 48 mm, Nickel plated machine heads with black buttons, RW ABS bindings, Strings: Savarez, Finish: Screwed Charcoal matt open pored
Edgar Russ - Sound of Cremona Marco Dotti ex David - Heifetz, Violin@+*Marco Dotti, Giuseppe Guarneri ex David - Heifetz*@+Handmade by master violin maker Marco Dotti in the workshop of Edgar Russ in Cremona, based on the violin made by Guarneri del Gesu in 1742, whose previous owners included Ferdinand David von Leipzig and Jascha Heifetz., Top made of traditional Italian spalted hazel spruce from the Val di Fiemme, Back made of flamed Bosnian sycamore maple, air-dried, Sides and neck made from the same wood as the back, Fingerboard made from finest ebony, The instrument is varnished in the same way as in the 17th century by the great Cremonese masters, Wood primer based on casein and calcium, Lacquer finish with an amber/linseed oil lacquer prepared by Edgar Russ himself, which is coloured with pigments to give the instrument a true-to-original lacquer appearance, Bridge: Aubert De Luxe, Pegs and tailpiece: Boxwood with a fine tuner, Endpin: Boxwood, Chinrest: small lateral model "Dresden" with titanium screws, Strings: Peter Infeld PI100
Edgar Russ - Sound of Cremona Marco Dotti Gore - Booth Cello, Cello, Antonio Stradivari "Gore - Booth 1710" model, Handcrafted by master luthier Marco Dotti at the workshop of Edgar Russ in Cremona, Inspired by the ‘Gore – Booth’ cello by Antonio Stradivari from 1710, Top made of typically Italian split hazel spruce from the Val di Fiemme, air-dried, Back made of flamed Bosnian sycamore, air-dried and always joined from two pieces, Sides and neck made from the same wood as the back, Fingerboard made from the finest grade ebony with C-edge, Bridge Aubert De Luxe Belgian model, Rosewood pegs, Tailpiece: Weidler Akustikus with fine tuners, Bender carbon endpin, Strings: Spirocore Wolfram III & IV, Larsen Soloist II &I, The instrument is varnished in the same way as in the 17th century by the great Cremonese masters, Wood primer based on casein and calcium, Lacquer finish with an amber/linseed oil lacquer prepared by Edgar Russ himself, which is coloured with pigments to give the instrument a true-to-original lacquer appearance
Edgar Russ - Sound of Cremona Marco Dotti Strad. The Betts, Violin, Handmade by master luthier Marco Dotti in the workshop of Edgar Russ in Cremona, modelled on The Betts by Antonio Stradivari from 1704, Top made of typically Italian spalted hazel spruce from the Val di Fiemme, Back made of flamed Bosnian sycamore maple, air-dried, Sides and neck made from the same wood as the back, Fingerboard made from finest ebony, The instrument was varnished in the manner of the great Cremonese masters of the 17th century - this includes: a wood primer based on casein and calcium, an amber linseed oil varnish cooked by Edgar Russ himself and coloured with pigments to give the instrument a faithful reproduction of the original, Bridge: Aubert De Luxe, Pegs and tailpiece: Boxwood with a fine tuner, Endpin: Boxwood, Chinrest: Small lateral model "Dresden" with titanium screws, Strings: Pirastro Evah Pirazzi Gold
Charvel Marco Sfogli So-Cal St1 HSS FR, Electric Guitar, Marco Sfogli Signature Model, Alder body, Carmelised maple neck, Carmelised maple fingerboard, Cream coloured dot fingerboard inlays, Neck finish: Hand applied matte urethane varnish, Neck profile: Speed neck, Compound fingerboard radius: 304.8 - 406.4 mm (12" - 16"), Nut width: 42.86 mm (1.6875"), Floyd Rose 1000 Series locking nut, 22 Jumbo frets, Pickups: 2 EMG SA single coils (neck and middle) and 1 EMG 89 humbucker, 3-Ply black pickguard, Volume control with push/pull function for coil split, Tone control, 5-Way switch for pickup selection, Floyd Rose 1000 series double-locking tremolo, Charvel-branded die-cast tuners, Chrome hardware, Strings: Nickel plated steel .009 - .042, Colour: Transparent Purple Burst@+@+*Circuitry:*@+@+, Position 1: Bridge, Position 2: Bridge and middle, Position 3: Middle, Position 4: Middle and neck, Position 5: Neck, Position 1 with coil split: Single coil bridge, Position 2 with coil split: Single coil bridge and middle
Epiphone Marcus King El Dorado AN, Acoustic Guitar with Pickup, Style: Dreadnought (D), Top: Solid spruce, Back and sides: Solid rosewood, Neck: Mahogany, Fingerboard: Rosewood, Mother of pearl block fingerboard inlays, Scale length: 629 mm, 20 frets, Nut width: 43 mm, Nut: Bone, Pickguard: El Dorado, Pickup system: L.R. Baggs Element Bronze VTC, Bridge: Rosewood, Epiphone Deluxe machine heads, Colour: Antique Natural, Includes case
Gibson Marcus King ES-345 Sixties Ch., Electric Guitar, Marcus King signature model, Style: Semi-hollow, Body: Maple/poplar/maple, Centre block: Maple, Set neck: Mahogany, Fingerboard: Rosewood, Split parallelogram fingerboard inlays, Neck profile: Rounded - neck thickness at 1st fret: 22 mm / at 12th fret: 25 mm, Single-ply neck binding, 3-ply cream-coloured binding on the front and back of the body, Scale: 629 mm (24.75"), Nut width: 43.1 mm (1.695"), Graph Tech nut, 22 medium jumbo frets, Pickup: 2 Custombucker Humbuckers (neck and bridge), 2 volume and 2 tone controls, 3-way toggle switch, Black-white pickguard, Fixed vibrola tremolo, Grover Rotomatic machine heads with kidney buttons, Gold hardware, Colour: Sixties Cherry, Includes case, Made in USA
Cuntz Guitars Marie Parlour 12th Fret, Steel-String Guitar with Pickup, Top: Selected solid alpine spruce, Back and sides: Solid East Indian rosewood, Modified X bracing scalloped, One piece neck: Mahogany, Fretboard: Ebony with Koa binding, Koa body binding, Window headstock with rosewood veneer, Scale length: 630 mm, Nut width: 46 mm, Vintage bone with excellent a sliding properties, Passive Schatten Design HFN pickup system, Rosewood bridge, Matte gold-plated Gotoh SEP700 X machine heads with 1:15 gear ratio, Colour: Natural High Gloss, Includes Hiscox Pro Cuntz case, Handmade in Germany
Marimba One Marimba 3100 A=443 Hz (5), Marimba, Frame: 3100 Series, Range: 5 Octaves - C2 - C7, a' = 443 Hz, Enhanced tone bars made of Honduras rosewood (Dalbergia Stevensonii), Basso Bravo resonators (Black), Mahogany wooden frame, The Enhanced tuning has more resonance with an even deeper bass than the traditional bars, making the marimba exceptional in its projection, evenness and balance, Adjustable height: 87 - 98 cm, Length: 265 cm, Width: 40 - 105 cm, Tone bars: 73 - 40 mm, Portable, Micro-height adjustment via cranks, Measurement units guarantee even height adjustment, Includes cover
Marimba One Marimba 3100 A=443 Hz (5), Marimba, Frame: 3100 Series, Range: 5 Octaves - C2 - C7, a' = 443 Hz, Premium tone plates made of Honduras rosewood (Dalbergia Stevensonii), Basso Bravo resonators (Black), Mahogany wooden frame, This premium sound bar set has been carefully selected from all bars produced by the manufacturer, Due to the strict selection process, the production capacity is very low, and only a handful of these sets come onto the market per year, Adjustable height: 87 - 98 cm, Length: 265 cm, Width: 40 - 105 cm, Tone bars: 73 - 40 mm, Micro-height adjustment via cranks, Measuring units guarantee even height adjustment, Includes cover
Bergerault Marimba BM50/AB A=442Hz, Marimba, Signature Series, Tonal range: Five octaves (C2 to C7), A = 442 Hz, Sound bars made from Honduras rosewood, Height-adjustable with hydropneumatic lifts, Aluminium resonators with epoxy coating, Sound bars: 72 to 41 x 24 to 20 mm, Length: 2590 mm, Width: 1060 - 340 mm, Height: 860 - 960 mm, Four castors (Ø 100 mm), two of which with brakes, Can be fully dismantled and easily transported in bags, Colour: Black, Includes protective cover and mallets
Marimba One Marimba Izzy A=443 Hz (5), Marimba, Range: 5 Octaves - C2 to C7, A=443 Hz, Frame: Izzy, Mahogany wood frame, Tone bars: Traditional Honduras rosewood (Dalbergia Stevensonii), Resonators: Classic (Black), Tone bars: 40 to 73 mm, Standard for a fine concert sound, Portable, lightweight and with a height adjustable quick-release system, Measurement units guarantee even height adjustment, Adjustable height: 87 - 98 cm, Length: 256 cm, Width: 40 - 105 cm, Weight: 118 kg, Includes cover
Marimba One Marimba Izzy A=443 Hz (5), Marimba, Frame: Izzy Series, Range: 5 Octaves - C2 to C7, a'= 443 Hz, Enhanced tone bars made of Honduras rosewood (Dalbergia Stevensonii), Black Basso Bravo resonators, Mahogany wooden frame, Adjustable height: 86 - 100.3 cm, Length: 251 cm, Width: 40 - 105 cm, Tone bar: 73 - 40 mm, The Enhanced tuning has more resonance with an even deeper bass than traditional bars, Exceptional in its projection, evenness and balance, Portable and lightweight, With height adjustable quick release system, Measurement units guarantee even height adjustment, Includes cover, # 9505
Marimba One Marimba Izzy/Thomann A=443 Hz, Marimba, Thomann Edition, Frame: Izzy Series with 3000 upper section, Range: 5 Octaves - C2 to C7, a'= 443 Hz, Traditional tone bars made of Honduras rosewood (Dalbergia Stevensonii), Black Classic resonators, Mahogany wooden frame, Adjustable height: 87 - 98 cm, Length: 251 cm, Width: 40 - 105 cm, Tone bars: 73 - 40 mm, Sets the standard for a fine concert sound, Portable and lightweight, With height adjustable quick release system, Measurement units guarantee even height adjustment, Includes cover
Marimba One Marimba Izzy/Thomann A=443 Hz, Marimba, Thomann Edition, Frame: Izzy Series with 3000 upper section, Range: 5 Octaves - C2 to C7, a'= 443 Hz, Enhanced tone bars made of Honduras rosewood (Dalbergia Stevensonii), Black Basso Bravo resonators, Mahogany wooden frame, Adjustable height: 87 - 98 cm, Length: 251 cm, Width: 40 - 105 cm, Tone bars: 73 - 40 mm, The enhanced tuning is more resonant and with an even deeper bass than traditional bars, Exceptional in its projection, evenness and balance, Portable and lightweight, With height adjustable quick release system, Measurement units guarantee even height adjustment, Includes cover