Hardware

Explore recording, monitoring, and studio hardware. Compare published products, specifications, and community reviews before choosing equipment for your setup.

  • M 108 Line Pre

    Rodec M 108 Line Pre, Discrete Stereo :ine Preamplifier, For MX Modular consoles, Gain: 70 dB, LED level indicator, 2 Vintage opamps in the input stage, Control for output level@+*Note:* Requires an additional Rodec K7 adapter (Art.#611569#) to be installed in a 500 rack (not included in the scope of delivery)

  • M 160

    beyerdynamic M 160, Dynamic Double Ribbon Microphone, Optimised for use on guitar, drums and brass, Warm and silky sound, Excellent transparency and impulse response, Polar pattern: Hypercardioid, Frequency range: 40 - 18,000 Hz, Nominal impedance: 200 Ohm, Pure aluminium diaphragm, Length: 156 mm, Shaft diameter: 23 mm, Head diameter: 38 mm, Weight: 192 g, Includes mount and case

  • M 16Voice

    Waldorf M 16Voice, 16-Voice Polyphonic Wavetable Synthesiser, Quadruple multitimbral (4 parts can be assigned to 4 individual stereo outputs), 2 Wavetable oscillators with separate wavetable sound generation and two different models (Waldorf Microwave I and modern Waldorf Microwave II), 96 Factory wavetables + 32 memory locations for user wavetables, Analogue low-pass filter with 24 dB/oct (SSI 2144 extended cascade filter) with saturation, Analogue stereo VCA for each voice, 4 Envelope generators: Eight-segment time/level wave envelope, VCF and VCA-ADSR envelopes and a freely assignable four-segment time/level envelope, Two LFOs with different waveforms, Arpeggiator with 16 preset patterns and chord mode, Synchronisable to MIDI clock, 2048 Sound programs and 128 multi-programs, Compatible with Waldorf Microwave I sysex data (for soundbank transfer/sound transfer), SD card slot for loading and saving sounds, sound banks and user wavetables, MIDI: USB 2.0 and DIN (5-pin DIN sockets for In/Out/Thru), Connections: 2 line outputs 6.3 mm jack unbalanced (L/R stereo) and 4 6.3 mm TRS jack stereo outputs (aux outputs A-D), Dimensions (W x D x H): 440 x 305 x 85 mm, Weight: 5.7 kg

  • M 195 Noise Clamp

    MXR M 195 Noise Clamp, Effect Loop / Noise Clamp Combination Pedal, For Electric Guitars and electric basses, Noise Reduction -26 dB, Eliminates hiss & excess noise from your effects chain with a single threshold Trigger knob, 2 Bypass operation modes, Adjustable on board, Loop off Mode: Effect loop is disabled when the pedal is switched off, Loop on Mode: Effect loop is activated when the pedal is switched off, 2 Status LED, Input and output as well as send and return each has a 6.3 mm jack, Sturdy metal housing, Operation with 9V battery or power supply 9V DC under Article Nr #409939# (not included)

  • M 199 Tap Tempo

    MXR M 199 Tap Tempo, Tap tempo footswitch, External footswitch for Tap Delay effect pedals, Compatible with a variety of effect pedals, 6.3 mm TRS Tap Tempo output, 3 internal DIP switches for TRS adjustment of the output socket, Metal housing

  • M 201

    beyerdynamic M 201, Dynamic Directional Microphone, Specially designed for drums, piano and string instruments, Polar pattern: Hypercardioid, Frequency range: 40 - 18,000 Hz, Sensitivity: 1.2 mV/Pa (-58 dBV), Nominal impedance: 200 Ohm, Dimensions (L x D): 160 x 24 mm, Weight: 228 g, Includes microphone mount (MKV8) and case

  • M 221

    Microtech Gefell M 221, Small Diaphragm Condensor Microphone, With 1/2" nickel diaphragm capsule from measuring microphone construction for studio use, Ideal as a main microphone for recordings that should include a certain amount of the room response, As a support for close-range miking of musical instruments, especially in the bass range, as well as for multi-channel miking., Particularly suitable for recording percussive instruments thanks to its excellent transient response, Low equivalent noise level and low-noise, high-output impedance converter in hybrid technology and transformerless circuit design for low equivalent volume and high operational reliability, Colour: Dark Bronze, Includes shock mount MH 93.1 and wooden case@+*Technical specifications:*, Polar pattern: Omnidirectional, Acoustic operating principle: Pressure gradient transducer, Frequency range: 20 - 20,000 Hz, Sensitivity: 50 mV/Pa at 1 kHz, Nominal impedance: 100 Ohm, Equivalent noise level: 15 dB A-weighted, Equivalent noise level: 83 dB A-weighted (relative to 1 Pa at 1 kHz), Maximum sound pressure level: 136 dB at 0.5% THD, Dynamic range: 121 dB, Power supply: 48V phantom power, Current consumption: 5.5 mA, Connector: XLR3M, Dimensions (L x diameter): 170.4 x 21 - 23.8 mm, Weight: 123 g

  • M 222 Talkbox

    MXR M 222 Talkbox, Talk Box, Suitable for guitars and keyboards, Offers the unique possibility to shape the sound with the mouth, Independent amplifier and loudspeaker - no separate amplifier is required, Volume and gain controls, Stable foot switch, Blue status LED, 6.3 mm Jack input and output, Pedalboard-friendly dimensions, Robust road-friendly housing, True Bypass, Incl. Dunlop 18V DC power adapter (DL E ERS ECB 004)

  • M 228 Dyna Comp Deluxe

    MXR M 228 Dyna Comp Deluxe, Effect Pedal, Compressor, Classic sound with modern features, Equipped with the rare CA3080 metal can IC, Low-noise operation, High-transparency and increased dynamic bandwidth, Clean aperture for parallel compression, 2 Attack settings, True Bypass, Controls for Tone, Sensitivity, Output and Clean, Attack switch to choose between fast and slow attack, Status LEDs, Metal casing, 6.3 mm Mono jack input/output, Power supply with 9 V battery or 9 V DC (Dunlop ECB003) power supply (power supply not included) 2.1 mm x 5.5 mm hollow plug and polarity (-) inside, Current consumption: 11 mA, Dimensions (W x D x H): 112 x 60 x 52 mm, Weight: 310 g@+*Note:* Register your product at www.w-distribution.de/Warranty and extend the warranty to 4 years.

  • M 233 Micro Amp Plus

    MXR M 233 Micro Amp Plus, Effects pedal, Boost, Classic MXR micro amp sound with modern features, Up to 26 dB boost, Analogue, True bypass, 2-band EQ, Gain, bass and treble controls, Status LED, Metal housing, Bypass footswitch, 6.3 mm mono jack input / output, Power supply with 9 V battery or 9 V DC power supply (2.1 mm x 5.5 mm Barrel connector, polarity (-) inside, not included), Power consumption: 6.5 mA, Dimensions (L x W x H): 111 x 64 x 49 mm, Weight: 220 g

  • M 234 Analog Chorus

    MXR M 234 Analog Chorus, Analog Chorus Effects Pedal@+Like many other MXR, M134 Stereo Chorus is a classic: First of all, it's an analog piece and it delivers beautiful, wide floating sound that can be rarely heard from today's digital devices. This M 234 Analog Chorus is a redesign and comes in a smaller casing, which makes many people happy. After all, you never have enough space on the pedalboard.@+@+It still does sound uncharacteristically clean for analog - bass filter and equalizer allow the chorus sound to be perfectly tailored to personal taste of sound. As a useful feature, it also has an EQ preset alternative to effect-free clean sound!, Analog chorus pedal for electric guitar, EQ with controls for bass and treble, Effect control with controls for Level, Rate and Depth, Status LED, Stable metal casing, Operates with 9V battery or 9V DC power supply #409939# (not included)

  • M 236 Super Badass Variac Fuzz

    MXR M 236 Super Badass Variac Fuzz, Effect Pedal for Electric Guitar, Fuzz, Vintage Silicon Fuzz circuit, Controls for Tone, Variac, Output and Gain, Variac regulates the input voltage between 5 V-15 V for the sound of a "dying" battery, True bypass, Status LED, Metal housing, Bypass foot-switch, 6.3 mm Mono jack input/ output, Power supply via 9 V battery or 9 V power supply (not included, suitable power supply available under Article Nr #409939#), Power consumption: 17 mA, Dimensions (L x W x H): 111 x 64 x 49 mm, Weight: 220 g

  • M 280 Vintage Bass Octave

    MXR M 280 Vintage Bass Octave, Effect Pedal for Electric Bass, Sub-Octaver, Based on a classic Sub-Octave circuit, From fat growl to tremulous dub tones, Outstanding tracking, 2 Independent sub-octave voices, Switchable midrange boost up to +13 dB (400 Hz / 800 Hz), Constant Headroom Technology (CHT) for more headroom, True bypass, Controls for Dry, Oct 1 and Oct 2, MID switch for selecting the midrange boost centre frequency, Internal trimpot for adjusting the mid boost level, Status LED, Metal housing, 6.3 mm Mono jack input/output, Power supply via 9 V DC power supply unit, Power consumption: 45 mA, Dimensions (D x W x H): 90 x 40 x 55 mm, Weight: 130 g@+@+*Note:* Battery operation is not supported.

  • M 287 Sub Octave Bass Fuzz

    MXR M 287 Sub Octave Bass Fuzz, Effects Pedal, Bass Octave / Fuzz, 2 Switchable fuzz sounds, True Bypass, Controls for Gain, Fuzz, Sub Octave, Dry, Bass, Treble and Mid + Level, Fuzz switch to select between the 2 Fuzz circuits, Bypass foot switch, Octave foot switch, Metal housing, Power supply with 9 V battery or via 9 V DC power supply (Dunlop ECB 003, 2.1 mm x 5.5 mm hollow plug, polarity (-) inside, not included), Current consumption 55 mA, Dimensions (L x W x H): 124 x 92 x 54 mm, Weight: 700 g

  • M 292 Carbon Copy Deluxe

    MXR M 292 Carbon Copy Deluxe, Effect Pedal, Analogue delay, Max. delay time: 1.2 Seconds, Sound of the original carbon copy and the bright version in one pedal, Adjustable delay time modulation, Tap tempo function, Tap tempo subdivisions, 2 Programmable presets, True bypass, Mix, regen, delay, speed and width controls, Bright control button to activate the bright mode, Tap div control button to select the tap tempo subdivision (dotted 8th notes, triplets, and sixteenths), Mod control to enable delay time modulation, Internal line level/ instrument level DIP switch, Internal control for guitar/ line level input, Internal dry kill switch for "wet only" output, Effect foot switch, Tap beat foot switch, Status LEDs, Tap division LED, Metal housing, 6.3mm Mono jack input/ output, 6.3 mm Jack expression control input, Power supply with 9 V battery or via 9 V DC power supply (2.1 mm x 5.5 mm power connection, polarity (-) inside, not included), Dimensions (L x W x H): 124 x 92 x 54 mm, Weight: 700 g

  • M 294 Sugar Drive Mini

    MXR M 294 Sugar Drive Mini, Effect Pedal, Overdrive / Distortion, Offers a wide range of clear, transparent overdrive sounds, For boost with tone colouration up to 'blown-tube' distortion, Integrated charge pump for more headroom, Selectable bypass (True / Buffered), Volume, Tone and Drive controls, Buffer switch, Bypass footswitch, Status LEDs, Metal housing, Input: 6.3 mm jack, Output: 6.3 mm jack, Power supply via 9V DC power supply (Dunlop ECB 003) with 2.1 mm x 5.5 mm barrel connector, polarity (-) inside - power supply not included in the delivery, Power consumption: 18.5 mA, Dimensions (L x W x H): 90 x 40 x 55 mm, Weight: 130 g@+*Note:* Battery operation not supported.@+@+

  • M 300

    Microtech Gefell M 300, Small Diaphragm Condenser Microphone, Compact condenser microphone for studio and live use, Suitable for broadcast applications, studio use for recording musical instruments, vocals and speech, as well as for sound reinforcement tasks even under acoustically unfavourable conditions, such as in churches., Particularly suitable for vocal and instrumental soloists due to its slight treble presence., High sound fidelity even with varying speech directions, Low-noise, high-output impedance converter using hybrid technology and transformerless circuit design for low equivalent volume and high operational reliability., Polar pattern: Cardioid, Acoustic operating principle: Pressure gradient transducer, Frequency range: 20 - 20,000 Hz, Sensitivity: 12 mV/Pa at 1 kHz, Nominal impedance: 100 Ohm, Equivalent noise level: 16 dB A-weighted, Signal to noise ratio: 78 dB A-weighted (relative to 1 Pa at 1 kHz), Maximum sound pressure level: 147 dB at 0.5% THD, Dynamic range: 135 dB, Power supply: 48V phantom power, Current consumption: 3.3 mA, Connector: XLR3M, Dimensions (L x Ø): 130 x 21 mm, Weight: 126 g, Colour Dark Bronze, Contents of delivery: M 300, wooden case

  • M 300 Stereoset

    Microtech Gefell M 300 Stereoset, Stereo Set with Two Small Diaphragm Condenser Microphone, Simple and versatile microphone system for high-quality stereo recordings, Two small diaphragm microphones with cardioid polar pattern, Enables various precise and reproducible stereo microphone arrangements for recordings using different stereophonic techniques., Consists of a specially selected pair of M 300s and the necessary mounts for setting up XY, ORTF, DIN or DINa stereo microphone arrangements., Suitable for broadcast applications, studio use for recording musical instruments, vocals and speech, as well as for sound reinforcement tasks even under acoustically unfavourable conditions, such as in churches., Particularly suitable for vocal and instrumental soloists due to its slight treble presence., High sound fidelity even with varying speech directions, Low-noise, high-output impedance converter using hybrid technology and transformerless circuit design for low equivalent volume and high operational reliability., Polar pattern: Cardioid, Acoustic operating principle: Pressure gradient transducer, Frequency range: 20 - 20,000 Hz, Sensitivity: 12 mV/Pa at 1 kHz, Nominal impedance: 100 Ohm, Equivalent noise level: 16 dB A-weighted, Signal-to-noise ratio: 78 dB A-weighted, Maximum sound pressure level: 147 dB at 0.5% THD, Dynamic range: 135 dB, Power supply: 48 V phantom power, Current consumption: 3.3 mA, Connector: XLR3M, Microphone dimensions (L x Ø): 130 x 21 mm, Weight: 126 g, Colour Dark Bronze, Scope of delivery: 2 selected M 300, 2x MH 93.1 shock mount, stereo bar, Tandem TD 93, 2x W 20 windshields and weatherproof plastic case

  • M 310

    Microtech Gefell M 310, Small Diaphragm Condensor Microphone, Compact condenser microphone with supercardioid polar pattern for studio and live use, Suitable for broadcast applications, studio use for recording musical instruments, vocals and speech, as well as for sound reinforcement tasks even under acoustically unfavourable conditions, such as in churches., Particularly suitable for vocal and instrumental soloists due to its slight treble presence., High sound fidelity even with varying speech directions, Low-noise, high-output impedance converter using hybrid technology and transformerless circuit design for low equivalent volume and high operational reliability.@+*Specifications:*, Polar pattern: Supercardioid, Acoustic operating principle: Pressure gradient transducer, Frequency range: 20 - 20,000 Hz, Sensitivity: 17 mV/Pa at 1 kHz, Nominal impedance: 100 Ohm, Equivalent noise level: 13 dB A-weighted, Signal-to-noise ratio: 81 dB A-weighted, Maximum sound pressure level: 147 dB at 0.5% THD, Dynamic range: 134 dB, Power supply: 48V phantom power, Current consumption: 3.3 mA, Connector: XLR3M, Diameter: 21 mm, Length: 130 mm, Weight: 126 g, Colour: Dark Bronze, Includes wooden case

  • M 320

    Microtech Gefell M 320, Small Diaphragm Condensor Microphone, Compact omnidirectional condenser microphone for studio and live use, Suitable for broadcast applications, studio use for recording musical instruments, vocals and speech, as well as for sound reinforcement tasks even under acoustically unfavourable conditions, such as in churches., Particularly suitable for vocal and instrumental soloists due to its slight treble presence., High sound fidelity even with varying speech directions, Low-noise, high-output impedance converter using hybrid technology and transformerless circuit design for low equivalent volume and high operational reliability.@+*Specifications:*, Polar pattern: Omnidirectional, Acoustic operating principle: Pressure gradient transducer, Frequency range: 20 - 20,000 Hz, Sensitivity: 16 mV/Pa at 1 kHz, Nominal impedance: 100 Ohm, Equivalent noise level: 14 dB A-weighted, Signal-to-noise ratio: 80 dB A-weighted, Maximum sound pressure level: 144 dB at 0.5% THD, Dynamic range: 130 dB, Power supply: 48V phantom power, Current consumption: 3.3 mA, Connector: XLR3M, Dimensions: Length 130 mm, Diameter 21 mm, Weight: 125 g, Colour: Dark Bronze, Includes wooden case

  • M 320 Stereoset

    Microtech Gefell M 320 Stereoset, Stereo Set with Two Small Diaphragm Condenser Microphone, Easy-to-use and versatile microphone system for high-quality stereo recordings, Two omnidirectional small diaphragm microphones, Enables various precise and reproducible stereo microphone arrangements for recordings using different stereophonic techniques., Consists of a specially selected pair of M 320 microphones and the necessary mounts for setting up stereo microphone arrays., Suitable for broadcast applications, studio use for recording musical instruments, vocals and speech, as well as for sound reinforcement tasks even under acoustically unfavourable conditions, such as in churches., Particularly suitable for vocal and instrumental soloists due to its slight treble presence., High sound fidelity even with varying speech directions, Low-noise, Highly controllable impedance converter using hybrid technology and transformerless circuit design for low equivalent volume and high operational reliability@+*Specifications:*, Polar pattern: Omnidirectional, Acoustic operating principle: Pressure gradient transducer, Frequency range: 20 - 20,000 Hz, Sensitivity: 16 mV/Pa at 1 kHz, Nominal impedance: 100 Ohm, Equivalent noise level: 14 dB A-weighted, Signal-to-noise ratio: 80 dB A-weighted, Maximum sound pressure level: 144 dB at 0.5% THD, Dynamic range: 130 dB, Power supply: 48V phantom power, Current consumption: 3.3 mA, Connector: XLR3M, Microphone dimensions: Length 130 mm, Diameter 21 mm, Weight: 125 g, Colour Dark Bronze@+*Contents of delivery:*, 2 x selected M 320, 2 x MH 93.1 shockmounts, Spacer, 2 x KS25 stereo rail, Connecting piece for microphone rails, 2 x W 20 windshield, Threaded Adapter, Weatherproof plastic case

  • M 330

    Microtech Gefell M 330, Small Diaphragm Condensor Microphone, Compact condenser microphone with wide cardioid polar pattern for studio and live use, Suitable for broadcast applications, studio use for recording musical instruments, vocals and speech, as well as for sound reinforcement tasks even under acoustically unfavourable conditions, such as in churches., Particularly suitable for vocal and instrumental soloists due to its slight treble presence., High sound fidelity even with varying speech directions, Low-noise, high-output impedance converter using hybrid technology and transformerless circuit design for low equivalent volume and high operational reliability.@+*Specifications:*, Polar pattern: Wide cardioid, Acoustic operating principle: Pressure gradient transducer, Frequency range: 20 - 20,000 Hz, Sensitivity: 11 mV/Pa at 1 kHz, Nominal impedance: 100 Ohm, Equivalent noise level: 14 dB A-weighted, Signal-to-noise ratio: 80 dB A-weighted, Maximum sound pressure level: 148 dB at 0.5% THD, Dynamic range: 134 dB, Power supply: 48V phantom power, Current consumption: 3.8 mA, Connector: XLR3M, Dimensions: Length 130 mm, Diameter: 21 mm, Weight: 126 g, Colour: Dark Bronze, Includes wooden case

  • M 4 Black

    Numark M 4 Black, 10" 3-Channel Battle Mixer, nputs: 4 - 6 line switchable, 2 phono, 1 microphone, Outputs: Master and Record, 3-Band EQ and gain per channel, Microphone channel with 2-band EQ, Master and PFL level indicators, Replaceable crossfader with reverse and slope control, Cueing via 3-way toggle switch, Includes power supply unit

  • M 40

    Microtech Gefell M 40, Small Diaphragm Microphone Capsule, Interchangeable capsule with cardioid polar pattern, Suitable for modular microphone system Generation 4, Requires the MV 400 X microphone amplifier for operation.@+*Specifications:*, Polar pattern: Cardioid, Acoustic operating principle: Pressure gradient transducer, Frequency range: 20 - 20.000 Hz, Sensitivity: 13 mV/Pa at 1 kHz, Nominal impedance: 100 Ohm, Equivalent noise level: 14 dB A-weighted, Signal-to-noise ratio: 80 dB A-weighted, Maximum sound pressure level: 146 dB at 0.5% THD, Maximum output level: 18 dBu at RL = 10 kOhm, Dynamic range: 132 dB, Power supply: 48V phantom power, Current consumption: 4 mA, Connector: XLR3M, Dimensions: Length 26 mm, Diameter: 21 mm, Weight: 26 g, Colour: Black matt