Hardware

Explore recording, monitoring, and studio hardware. Compare published products, specifications, and community reviews before choosing equipment for your setup.

  • HDSPe AES

    RME HDSPe AES, Audio Interface, PCI Express, Up to 192 kHz, 16 I/O, 8x AES/EBU I/O, 2x MIDI I/O, Wordclock I/O, Total Mix, For WIN/MAC

  • HDSPe AIO Pro

    RME HDSPe AIO Pro, 30-Channel PCI Express Audio Interface, 192 kHz / 24 Bit, ADI-2 Pro converter AK5572 and 2 x AK4490, The entire analogue input range uses the circuit design of the ADI-2 Pro (+24 / +19 / +13 / +4 dBu), Mute relay also for XLR/RCA outputs to avoid noise when switching on the computer, Reference level for the balanced outputs: +24 / +19 / +13 / +4 dBu, Reference level for the unbalanced outputs: +19 / +13 / +4 / -2 dBu, SteadyClock FS, Headphone output level +19 dBu / +7 dBu (high / low power), 2x Standard D-Sub for breakout cable with 2x line input RCA, 2x line output RCA, Stereo headphone jack 6.3 mm jack, AES / EBU, SPDIF coaxial, MIDI input and output, ADAT / SPDIF optical input and output, Word Clock Module (WCM) and breakout cable with balanced XLR connectors optionally available (not included)@+*Note:* No support for optional AI4S-192/AO4S-192 extensions of the previous model RME HDSPe AIO!@+@+

  • HDSPe AoX-D

    RME HDSPe AoX-D, PCIe x4 Audio Interface with DANTE and MADI, 512/256/128 channels at 48/96/192 kHz sampling rate, Steady Clock, TotalMix, Expandable up to four MADI ports (separately available expansion card, not included), Two RJ45 connectors, BNC word clock input and output via optional expansion card (not included), AES3 input and output via DB9 to XLR breakout cable, MIDI input and output via DB9 to 2 x DIN breakout cable, Stereo headphone output: 6.3 mm jack, Design: PCIe card

  • HDSPe AoX-M

    RME HDSPe AoX-M, PCIe x4 Audio Interface with Milan Compatible AVB, 512/256/128 Channels at 48/96/192 kHz sampling rate, Steady Clock, TotalMix, Expandable up to four MADI ports (separately available expansion card, not included), Two RJ45 connectors, Word Clock input and output BNC, AES3 input and output via DB9 to XLR breakout cable, MIDI input and output via DB9 to 2 x DIN breakout cable, Stereo headphone output: 6.3 mm jack, Design: PCIe card

  • HDSPe MADI

    RME HDSPe MADI, PCI Express Card With MADI I / O, 128 Channels, Up to 192 kHz, All input and playback channels can be independently routed to physical outputs and mixed, TCO Support, For Windows XP (multi-client operation of MME, GSIF and ASIO 2.0) and Windows VISTA and MAC OSX (Intel support)

  • HDSPe Madi FX

    RME HDSPe Madi FX, PCI Express Sound Card, MADI: 194 input and 194 output channels, Analogue output: 2 channels (6.3 mm stereo jack, monitoring or headphones), 4096-channel mono matrix router, MADI optical <> coaxial converter functionality, AES/EBU interface for direct integration of AD/DA devices, Extremely low latencies, Sample frequencies up to 192 kHz, Including SteadyClock for maximum jitter suppression, Includes DIGICheck analysis and metering tool (EBU R128 compatible), Includes TotalMix FX, the variable real-time mixer and signal router with 42-bit internal resolution and integrated on-board DSP effects - latency-free monitoring (EQ, dynamics, AutoSet and reverb/echo), 2x MADI I/O optical, 1x MADI I/O coaxial, 1x AES/EBU I/O, 1x Stereo Analog Out, 1x Wordclock I / O, 1x MIDI I/O via 5-pin DIN, 3x MIDI I/O via MADI

  • HDSPe RayDAT

    RME HDSPe RayDAT, 72-channel ADAT / AES PCI Express Card@+HDSPe RayDAT is a multi-channel, multi-format and multi-tasking tool of superior professional quality, the ideal solution from capture to final mastering. Thanks to separate hardware and additional recording / playback channels, SPDIF (RCA) and AES / EBU (XLR) can be used simultaneously for the first time. RayDAT offers no less than 4 x ADAT I / O (optical), SPDIF I / O, and AES / EBU I / O. No less than 36 input and output channels each. @+@+Two MIDI I / Os and TotalMix, RME's unrivaled DSP-based real-time mixer with hardware-computed level meters and complete MIDI remote controllability complete the package. Of course, HDSPe RayDAT also supports the use of the optional TCO for synchronization to timecode (LTC / video).@+@+ Internal ADAT inputs and outputs allow connection of up to two optional TEBs (TDIF Expansion Board). Up to two TDIFs can be connected directly to the computer. Ports available. @+@+HDSPe RayDAT is the redesigned PCI Express version of the previous PCI variant. A completely new PCI Express core supports the full performance of current and superfast serial bus technology. Based on RME's own FPGA development, the card's Secure Flash Option enables future updates even on future hardware and software features., 24 bits / 192 kHz, 4x ADAT I / O 192kHz capable (S / MUX4) + SPDIF I / O 192kHz capable and AES / EBU I / O 192kHz capable, 2x MIDI I / O, Up to 72 input and output channels can be used simultaneously, For WIN 2000 / XP / Vista / 64 and MAC OSX Intel

  • HDX PCIe Card only

    Avid HDX Core Card only, Pro Tools HDX PCIe Card, For expansion of existing HDX systems or using in conjunction with Pro Tools Ultimate software, 64 Input and output channels, 32-bit / 192 kHz, Round trip latency: 0.7 ms@+*Note:* Software not included@+@+*Purchase includes:*@+@+, HDX PCIe card, DigiLink Mini Cable 12ft, HDX TDM cable, HDX PCIe power cable for Mac and PC@+*Note:* Power cable not compatible with Mac Pro 2019@+@+

  • HE 18

    Rolls HE 18, Buzz Remover, Buzz Off, Inputs / Outputs: Jack & RCA, Eliminates hum disturbances due to earth or ground loops

  • HE-Torres Ziricote/Cedar

    Hanika HE-Torres Ziricote/Cedar, Classical Guitar, Top: Solid cedar, Back and sides: Solid Zircote, Neck: Cedro, Fingerboard: Blackwood, Back and top binding: Grenadilla, Headstock veneer: Macassar, Scale: 650 mm, Nut width: 52 mm, Bone nut with bone saddle, 20 Frets, Alessi-Standard machine heads, Top finish: Shellac, high-gloss, Colour: Natural high-gloss, Includes BAM case, Made in Germany

  • HE-Torres Ziricote/Spruce

    Hanika HE-Torres Ziricote/Spruce, Classical Guitar, Top: soild spruce, Back and sides: solid zircote, Back and top binding: Grenadilla, Headstock veneer: Macassar, Neck: Cedro, Fingerboard: Grenadilla, Nut and saddle: Bone, Nut width: 52 mm, Scale: 650 mm, 20 Frets, Alessi-Standard machine heads, Top finish: Shellac, high-gloss, Colour: Natural, high-gloss, Includes BAM case, Made in Germany

  • HeadAMP 4

    ART HeadAMP 4, 4 Channel headphone amplifier, Volume control for every channel, 4x Stereo headphone outputs: 6.3 mm stereo- and 3.5 mm stereo-mini-jack, Line-input 6.3 mm stereo- and 3.5 mm stereo mini-jack, With external power supply

  • Headamp 6

    ART Headamp 6, 6 Channel Headphone Amplifier, Six independent headphone amplifiers with high output power, Possibility of simultaneous use of up to 18 headphones, Three headphone outputs on every channel: one on the front side, two on the back side, Stereo aux input on every channel (front side), balance/mix control on every channel featuring twofold usage, More selectable monitor settings on every channel: Stereo, mono left, mono right, mono left + right, 4 Segment LED level indicator and volume control on every channel, Level control and 8 segment LED level indicator on the main input, Direct input on the front side, XLR- and jack inputs and -outputs (to connect several devices), Design: 19", 1 U

  • Headamp 6 Pro

    ART Headamp 6 Pro, 6-Channel Headphone Amplifier, Bass and treble separately adjustable, 8-Segment LED chains for each channel and bus, XLR and jack inputs are 6.3 mm balanced, Headphone outputs front and back, Aux input, Format: 19", 1U

  • Headmic 1 (Beige 3-Pin)

    Sennheiser SL Headmic 1-4 BE, Condenser neckband microphone, Characteristic: omnidirectional, Frequency range: 20 - 20 000 Hz, Individuallt adjustable size, 3-Pin Lemo plug, Maximum level: 143 dB, Weight: 7 g, Colour: Beige

  • Headmic 1 (Beige EW)

    Sennheiser SL Headmic 1 BE, Condenser Neckband Microphone, Directional characteristic: Omnidirectional, Frequency range: 20-20000 Hz, Individual size adjustable, 3.5 mm EW jack connection, Maximum level: 143 dB, Weight: 7 g, Colour: Beige

  • Headmic 1 (Black 3-Pin)

    Sennheiser SL Headmic 1-4 BK, Condenser Neckband Microphone, Polar pattern: Omnidirectional, Frequency range: 20 - 20 000 Hz, Individual size adjustable, 3-Pin Lemo plug, Maximum level: 143 dB, Weight: 7 g, Colour: Black

  • Headmic 1 (Black EW)

    Sennheiser SL Headmic 1 BK, Condenser Neckband Microphone, Directional characteristic: Omnidirectional, Frequency range: 20-20000 Hz, Individual size adjustable, 3.5 mm EW jack connection, Maximum level: 143 dB, Weight: 7 g, Colour: Black

  • Headmic 1 (Silver 3-Pin)

    Sennheiser SL Headmic 1-4 SB, Condenser Neckband Microphone, Polar pattern: Cardioid, Frequency range: 20 - 20 000 Hz, Individual size adjustable, 3-Pin Lemo plug, Maximum sound pressure level: 143 dB SPL, Weight: 7 g, Finish: Silver Black

  • Headmic 1 (Silver EW)

    Sennheiser SL Headmic 1 SB, Condenser Neck Strap Microphone, Omidirectional polar pattern, Frequency range: 20 - 20 000 Hz, Individual size adjustable, 3.5 mm EW jack connection, Limit sound pressure level: 143 dB max, Weight: 7 g, Colour: Silver-black

  • Headmic 4 (Beige EW)

    Sennheiser Headmic 4 BE, Condenser Neckband Microphone, Cardioid polar pattern (KE 4 cardioid microphone capsule), Frequency range: 20 - 20 000 Hz, Feedback suppression, Individual size adjustable, Microphone boom can be attached on both sides, 3.5 mm ew jack connection, Maximum sound pressure level: 143 dB, Cable length: 1.6 m, Weight: 7 g, Colour: Beige, Incl. windscreen and soft case

  • Headmic 4 (Black 3-Pin)

    Sennheiser Headmic 4 (Black 3-Pin), Condenser Neckband Microphone, Polar pattern: Cardioid, Frequency range: 20 - 20,000 Hz, Feedback suppression, Individual size adjustable, Microphone boom can be attached on both sides, 3-pin Lemo connection, Max. sound pressure level: 143 dB, Cable length: 1.6 m, Weight: 7 g, Colour: Beige, Includes windscreen and soft case